Hello all, I’ve been inactive on here for several months now, pursuing other ventures. One of them is my Youtube content, which I have been working on diligently. So to try something different this year, I made my Favorite album of the year list into an interactive video. It’s sort of reminiscent (or at least a homage to) of the old “Pop up videos” on VH1 that I loved to watch as a kid and even into my teens. I am desperately trying to get away from being a critic, and being more personal and educational about Metal. I just don’t want to be another opinion on the internet. I want to connect with people. I want to break barriers and stereotypes within the metal community. I want to abolish elitism in Metal. The true goal of my content is to share with people my music discoveries, not to critique albums. I really dislike reviewing and reading reviews. This “ErinMetal” channel allows me to be myself and share the amazing new Renaissance of Music that we’ve entered in the past decade.
There’s so much yet to be discovered outside of the mainstream music, and I will continue to share what I find. Please check out my “Favorite Rock and Metal Albums of 2024” countdown video below. And, I want to know your favorite albums of the year as well! Thank you so much for reading, watching, and interacting with my content. I want to grow this into an inclusive community, and you can be a part of that.
Out May 10, 2024 via Napalm Records | Pre-Order HERE
First Single “Green & Glass” + Stunning Music Video Revealed Watch HERE
2024 International Tour Dates Announced[photo credit: Shimon Karmel] Canada’s most exciting metal band, UNLEASH THE ARCHERS, are thrilled to announce the upcoming release of their transfixing sixth studio release, the AI inspired concept album Phantoma, out May 10, 2024 via Napalm Records. The new album follows the band’s breakout 2020 album, Abyss, which won the JUNO Award for Metal/Hard Music Album of the Year after debuting at #1 on the US Current Hard Music and Top New Artist charts.
Frontwoman and lyricist Brittney Slayes conjured Phantoma’s concept in 2021; before the swarm of pressing commentary surrounding AI began to reach an all-time high. Led by the album’s protagonist Phantoma, a Phase 4 / Network Tier 0 unit – model A, the story recounts the trials of AI gaining sentience on a dystopian, near-future planet earth. With the band’s one-of-a-kind blend of power metal, traditional heavy metal, modern prog and pop sensibilities, UNLEASH THE ARCHERS spin a web of sharp musicality, high sci-fi concept and important social commentary about discovering the brutal truths behind the manufactured sheen of social media posturing.
Today’s album announcement kicks off with the release of its first single, “Green & Glass” – an unforgettable opus traversing the album’s dystopian concept with dynamic verses and prog-laden guitar work. Its innovative accompanying music video features Phantoma discovering new and harrowing realities, and was created using AI while still supporting traditional artists by having character models trained exclusively on a body of work licensed from artist Bo Bradshaw.
UNLEASH THE ARCHERS says about “Green & Glass”: “We struggled for a while to decide which song would lead the way for this record, and in the end chose ‘Green & Glass’ because it is the song that inspired the cover artwork, but also because it doesn’t give too much away about the concept behind the album. We wanted nothing more than to be able to create a fully cinematic retelling of the story through our music videos, and were so stoked when the boys at RuneGate Studio expressed an interest in learning how to use Stable Diffusion to make our dreams come true! They trained the model on the work of Bo Bradshaw, which gives it a beautifully unique animation style; we got to bring his magnificent t-shirt artwork to life!
“Watch the remarkable official video for “Green & Glass”HERE:
Following 2020’s triumph Abyss, which was dubbed by Bandcamp as “a mandatory listen”, and named by Loudwire as one of the best rock and metal albums of the year, UNLEASH THE ARCHERS ascend with Phantoma. Defying controversy and bringing their imagination to life, UNLEASH THE ARCHERS utilized AI during the writing, filming, and production process on Phantoma, and weaved electronic and synthwave elements throughout the album’s 10 colossal anthems, which – in line with its theme – prove much darker and heavier in comparison to the bright positivity of Abyss.
Album opener “Human Era” sets the tone with imagery of a bleak, windswept futuristic world that crescendos headlong into the breakneck pace of power metal bastion “Ph4/NT0mA” – a masterwork of dueling guitar solos and vocal acrobatics. Trad-metal influenced “Buried In Code” lights the way with pummeling rhythms before the album’s path turns dark on heavy metal hardened “The Collective”, with Brittney Slayes’ warm tones inviting the listener to ‘join or stand aside’! Hair-raising first single “Green & Glass” unveils the truth before the upbeat 80s flavored “Gods In Decay” and the extraordinary balladic anthem “Give It Up Or Give It All” showcase the varied song writing prowess of UNLEASH THE ARCHERS’ modern era. A trifecta of concept closers begins with the moody “Ghosts In The Mist”, leading into the soaring yet menacing “Seeking Vengeance” before closing with the bittersweet tale of “Blood Empress”.
Mixed and mastered by Jacob Hansen, and with lead guitarist Andrew Kingsley at the helm as both principal songwriter and producer, Phantoma is an exciting advancement in UNLEASH THE ARCHERS’ songwriting and storytelling mastery, and a giant leap forward in their towering musical trajectory.
Phantoma track listing: 1. Human Era 2. Ph4/NT0mA 3. Buried In Code 4. The Collective 5. Green & Glass 6. Gods In Decay 7. Give It Up Or Give It All 8. Ghosts In The Mist 9. Seeking Vengeance 10. Blood Empress
UNLEASH THE ARCHERS on tour: Legions of Metal Festival: 5/03 – Chicago, IL @ Reggies
Australia and New Zealand Headliners: 6/05 – Canberra, AU @ Basement 6/06 – Sydney, AU @ Manning 6/07 – Melbourne, AU @ Croxton 6/08 – Brisbane, AU @ The Zoo 6/09 – Adelaide, AU @ Lion Arts 6/13 – Auckland, NZ @ Galatos 6/14 – Wellington, NZ @ Valhalla
European Festivals: 7/05 – Ballenstedt, DE @ Rock Harz 7/06 – Knislinge, SE @ Time To Rock 7/12 – Visovice, CZ @ Masters Of Rock 7/19 – Laukaa, FI @ John Smith Fest 7/21 – Baile Figa, RO @ Celtic Transylvania 8/02 – Wacken, DE @ Wacken Open Air 8/09 – Villena, ES @ Leyendas Del Rock 8/10 – Walton-On-Trent, UK @ Bloodstock
Supporting POWERWOLF in North America: 8/29 – Los Angeles, CA @ The Hollywood Palladium 8/31 – Denver, CO @ The Ogden Theatre 9/03 – Chicago, IL @ The Riviera Theatre 9/04 – Cleveland, OH @ The Agora Theatre 9/05 – Silver Spring, MD @ The Fillmore 9/07 – Tampa, FL @ Jannus Landing 9/08 – Atlanta, GA @ The Masquerade 9/09 – Charlotte, NC @ The Fillmore 9/12 – Philadelphia, PA @ The Fillmore 9/13 – Worcester, MA @ The Palladium 9/14 – New York City, NY @ Brooklyn Paramount 9/15 – Laval, QC @ Place Bell
UNLEASH THE ARCHERS is: Brittney Slayes – Vocals Scott Buchanan – Drums Grant Truesdell – Guitar, Vocals Andrew Kingsley – Guitar, Vocals Nick Miller – Bass
2023 has been a new Renaissance of music with new innovations and genre bending iconoclasts. I have been speechless one album after another this year. It’s been one of the best years for me for new releases that I absolutely love, and I know a lot of people are feeling the same way. I have my favorites and will definitely do a list later this month as the discovery of new music is ongoing.
BUT first, I want to hear from my fellow metal fans and connoisseurs of music! What do you think is the best album of 2023? Vote below or comment! I will do a separate review of the winner and post your responses! Just follow the link, no sign in required!
Seven Kingdoms is an independently funded and run Metal band from Deland, Florida that has virtually come out of nowhere. Being a band for fifteen years, this band has fought and conquered its way through some hard times, working day jobs and trying to navigate record deals that seemed to be unfavorable. Napalm Records, a record company I often despise, dropped this brilliant fresh Power Metal band. Only just having been signed to small Distortion Music Group, this band has gained its success through an avid fan group, funding any releases by fan-backed Kickstarters. This has allowed the band to explore and shine through their immense creativity and stunning American Power Metal. Seven Kingdoms is not just a band or a business venture, it’s really a community supporting four great musicians and even better people. This band has worked their fingers and nerves to the very edge through blood, sweat, and tears to put out music that people need to hear; And “Zenith” is the pinnacle of that hard work.
The evolution of Seven Kingdoms, from changing singers and being a Fantasy-based band, to “Zenith” is a staggering advancement. Zenith is a Heavy Metal 80’s fusion record with modern Power Metal synths and dirty riffs and vocals so expertly and powerfully delivered by Sabrina Valentine Cruz. The riffs from Kevin and Camden echo those of Iron Maiden, Dokken, and Unleash The Archers with immense speed. I consider SK to be the more heartfelt and accessible sister of Unleash The Archers. Zenith is an emotional roller coaster, full of emotion and gratitude. They took their hardships and compressed them all into a diamond of a record. “Diamond Handed” is a soaring battle anthem with dreamy synths and vocals, mixed with unbelievable speed. When starting this track, my whole family thought they had Youtube on 2x speed. It’s a perfect jaw-dropping start to this record and is maybe one of my favorite songs of all time. And, it only gets better from there.
“A Silent Remedy” is a perfect mix of old SK sound and the refinement they’ve achieved. The sheer melodic sense of this track is impressive; layers upon layers of technically perfect vocal lines contrast the heaviness. This song has some insanely high notes that you’ve just got to hear to believe. This song has a darker feel to it, and it’s a welcome contrast. It’s interesting and takes time to indulge upon. Oh man, but “Love Dagger” is a highlight of epic throwback 70s/80s sound that I can’t get enough of. This song’s quality, rhythmic sense, vocals, and tone just screams 38 Special to me, which is one of my favorite bands of all time. I love every aspect of this song and could see it hitting the radio. It sounds old, but there’s nothing like Sabrina’s voice in any decade. This song is so accessible and relatable, but so high quality and not derivative radio-friendly trash. “Chasing the Mirage” turns up the speed again with a more Thrash riff and dueling stereo guitar melodies. The range Sabrina shows on this record is a span I rarely hear in modern music. Her lower range ins strength and tonal quality remind me of Noa Gruman from Scardust, who is arguably one of the greatest singers of all time. This track is guitar-heavy compared to the others, letting the two guitarists, Byrd and Cruz, do their thing by killing it. The chugging riff is grabbing and crunchy, gets your attention, and then the song just goes off. It’s so progressive and all over the place. It’s such a different track for them, and I love this new sound.
The band pays homage to their infinitely dedicated fan base by including newly mastered favorites. “Valonqar” is an epic Game of Thrones ballad that has impressively long notes and epic thematics. The melodic dueling guitars pull you in, on top of booming bass, and stunning vocals that float over this melancholy feel. The long notes held by Mrs. Valentine Cruz are seemingly endless and pitch-perfect on record and also live. The power of this vocalist is awe-inspiring. “Empty Eyes” is yet another radio-friendly bombastic riff-heavy track that I admittedly have listened to on repeat for hours. The lead riff is a perfect hook into this Heavy Metal throwback. I cannot get enough of this band’s riff sense. These guitarists are some of the best I’ve heard in a long time, without committing musical masturbation. The drums on this track feel so forward and heavy, like a march into battle or just down the street to kick someone’s ass.
“Magic in the Mist” is a cool melodic power track that throwbacks to SK’s fantasy-based days. It’s dreamy, thematic, complex, and strong. Zenith doesn’t seem to quit with the epic soaring solos and perfectly executed rhythmic drums. It bangs right into the Progressive Metal track “Universal Terrestrial” which defines the spacy theme of the album. This song is staggeringly fast and epic, introducing choirs and a melodic. This is not my favorite SK song but has a lot of good things going for it. The backing vocals and vocal runs on some of the outros feel unrefined, almost like an afterthought, which is not up to par with the quality of the song. I feel like a remaster on the vocals would do wonders for this track. The Water Dance is a throwback track and another fan favorite. This is a very strong track with a great groove to it and more juicy Game of Thrones lore. This song is more Thrash based, reminding me of old Blind Guardian or Man O War in the best of ways. The breakdown is cool on this song with some delicious solo work. Life Signs is another brand new track that is full-on Power Metal. It’s a surprising new sound, building on the evolution of Universal Terrestrial. I enjoy Sabrina’s lower range on the verses. This song is well written and epic, the choirs hint at some Devin Townsend influence as well as the guitar work. It’s one of the more musically diverse songs on the record with a fast chord progression. I feel like they pulled out all the stops on this record with progression and using their diverse range of influences and writing techniques.
“I Hate Myself For Loving You” is a song with a long history. Originally written by Desmond Child and Runaways guitarist Joan Jett, it was released in 1988 and became the biggest anti-love song of all time. It was also rewritten for NFL’s Sunday Night Football anthem and covered by Carrie Underwood. Regardless of this song’s history and prowess, I have always had a strong dislike for this song. The key it’s in plus the original vocals make me want to drill any part of my auditory senses right out of my head. When Seven Kingdoms announced they were covering this song, I cringed. However, upon listening to it the first time, I was hooked. The band refreshed this dirty old track and turned it into a complete jam. I love the cover and find it to be the biggest improvement of a song I’ve ever heard.
The only two issues I have with this album are mix and length. I would’ve liked a double album: The first disc should have all-new tracks focusing on the Zenith extraterrestrial theme and the new SK sound. The second disc could be remasters of old SK fan-favorite songs and maybe a couple live versions. I understand budgeting would limit this greatly and probably why it’s reduced to a single album. I just find it jarring and disjointed, because I expected an overall alien theme, and it was GoT references thrown in with older songs. I understand the purpose of the album is to sate fans’ appetites and put out new music to put themselves on the map in US-born Power Metal, but I find it confusing for the direction it’s supposed to go in. Maybe I’m missing information in promotion packets or missed something in the Kickstarter information, but it’s just a strange album to me as far as wondering what it’s supposed to be. Maybe I misunderstood the purpose of the record because I thought it was some kind of concept album, but I would’ve liked a more succinct record. Each individual track is good on its own, but none of them go together perse.
The other problem I have with the record is in the mix. On streaming and Disc format through studio speakers and headphones, I find the mix to be boomingly bass-heavy. Normally, I love a lot of bass in the mix, but there are some parts in the record where the bass is overpowering. It’s as if someone’s using a super low-frequency bass drop sample and randomly placing them in songs like Diamond Handed and Chasing the Mirage. It’s an odd phenomenon, but not uncommon in modern mixes with compression where inconsistencies like this happen when a 5.1 mix is transferred to CD MP3s. I like dynamics, but I don’t think the weird low bass drops are purposeful. The mix on Universal Terrestrial is not my favorite; It sounds rushed and there are some really high frequencies that I would’ve leveled out, but maybe this only appears on certain formats. These issues are easily looked over, however and I am able to enjoy the record regardless.
Zenith is a hell of a unique record, and I hope it skyrockets Seven Kingdoms in popularity. There’s nothing quite like them in America right now, and I feel lucky to have them in my home country.
Highlights: A Silent Remedy, Love Dagger, Diamond Handed
[photo credit: Shimon Karmel] Canada’s most exciting metal band, UNLEASH THE ARCHERS, are thrilled to announce the upcoming release of their transfixing sixth studio release, the AI inspired concept album Phantoma, out May 10, 2024 via Napalm Records. The new album follows the band’s breakout 2020 album, Abyss, which won the JUNO Award for Metal/Hard Music Album of the Year after debuting at #1 on the US Current Hard Music and Top New Artist charts. 
Metal Valkyrie 