Brazillian Death Metal band Crypta has been a hot topic of 2023 with their unbelievably good festival sets and playthroughs for the new album “Shades of Sorrow”. Crypta is a happy accident, formed by two ex members of famed Nervosa, Fernanda Lira (bass, vocals) and bombastic drummer Luana Dametto. The two parted from Nervosa due to creative differences, and I think it was ultimately for the best. Fernanda really deserved more creative license, and she has proved it in their new album tenfold. As you may know, I am not a Death Metal or Thrash Metal fan, so I normally steer clear of anything that combines the two. However, Crypta goes beyond the ideologies of elitism and have forged their own deeper, darker, more interesting sound that really converted me to be a fan. I am late to the party on reviewing it, because at first, I had no idea where to start. This is way out of my wheelhouse music-wise and I didn’t think there would be a point to me reviewing it, but the lack of coverage of this album has absolutely stunned me. I have not seen this album get half the recognition it deserves, Whether it is Elitism, Sexism, our just bad promotion, this album has fallen in the background in Metal press.

“Shades of Sorrow” is my pick for most surprising album of the year. This album is absolutely fantastic, maybe one of the greatest of the Death Thrash genre in years. Crypta have insane technicality and unique progression in their flavor of this genre. The depth of talent knows no bounds in each member, and they come together and blend different influences to create something truly like nothing else on the planet. The depth of their music and darkness throws me back to Death’s Chuck Shuldiner, which is one of the highest compliments you can receive in Death Metal. The sinking darkness, the despair, the overall ambience to this record just envelopes you entirely. When you listen to it, you can’t think about anything else, and that is a great thing. “Shades of Sorrow” is catharsis at the ultimate heaviest and aggressive level. It is laden with aggression and reflection, completely anger personified. This album will get you up and arm you with mauls of thorns. There’s nothing hooky, cheesy, or over produced about this album. It is a true Death Metal record with riffs and vocals that will sink into you for months. It is chest-pounding and addictive song after song.

“The Other Side of Anger” is just absolutely fantastic and searing. Luana is at the top of her game with blast beats, groove, and ride rhythms for days that highlight every single note on the guitar. Her aggression and rhythmic savvy remind me of a young Gene Hoglan. This is clinical Death Metal drumming with just the best snare sound on “Trial of Traitors”. Luana kills it on this album and might be my drummer of the year. Fernanda is a powerhouse of ranged growls and screams with diction and clarity. It’s somehow catchy, without too much repetitiveness. It’s Progressive, but Thrashy. It encompasses so many influences and new sounds I have never heard before, even almost a tribal rhythm on some tracks. It is truly hard to explain the depth of this record. But, to get a scope of it, the track “Stronghold” is sure to blow you away. This track is one of the best to come this year, in my opinion. It is just a bull through a crowd of people that pummels and wrecks everything in its wake. You have to listen to this song, even if this music isn’t your thing.

Another aspect of the album I massively appreciate is the guitar solos. For a while now, guitar solos are few and far between in Modern Metal, but good god these guitarists have brought solos back to Thrash. They are blistering tapping melodic solos that sound so sinister. The guitars capture the mood so well and blend with the vocals expertly. They’re clean but not processed. This is just raw blistering talent that I rarely ever hear in this genre. Taina and Jessica play so well off of each other, intertwining solos and melodic lines of dual guitars that hit you right in the gut. They play fast, but you can hear every single note in the chord. It’s as if everyone in the band has been playing together for twenty years. No amount of production can create that level of audible chemistry.

“Shades of Sorrow” is a 10/10 album for me, and I don’t typically love this kind of music, but I LOVE this record and everything about it. This band is immensely talented and you’re truly not going to believe how good they are live. This album deserves way more credit than it has received and I hope overtime people will find the brilliance of Crypta.

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