politics

My most anticipated release of the year has finally graced my inbox: Bleed Out by Dutch Modern Symphonic Metal band Within Temptation is here after four years since the trailblazing “Resist”, and it is here to ravage you audibly. Some background for those not familiar with Symphonic Metal or this band has somehow evaded their Youtube feeds: Within Temptation is a Dutch Symphonic Metal band with Gothic and Pagan themes forming in 1996 with couple Sharon Den Adel and Robert Westerholt. This band is a mainstay of the genre with repeated hit albums and bombastic melodic singles. They weave complex orchestrals with Operatic vocals and Pop hooks with staggering emotion and deep lyrics. WT has a song for everyone from classics like “Mother Earth”, “Faster”, “Angels”, and “Paradise (What About Us) featuring Tarja”. They’re one of the most successful Symphonic Metal bands of all time. They have several Platinum selling records and continue to sell out big arenas such as Wembley Stadium. This band has nothing to prove to anyone, but continue to shape shift and surprise. They are uncompromising. They are incomparable. “Bleed Out” is a perfect follow up to the modernization of “Resist”. Regardless of numerous lineup and sound changes, this band is a cornerstone of Modern Metal and I find it a travesty how often they are overlooked.

When I first heard the singles from “Bleed Out”, I was severely underwhelmed and disappointed with the recording quality. The guitars were incredibly muddy and over compressed. The singles had promise, but were overshadowed with modern overproduction, a common problem with Metal albums these days. But, upon first listen of the whole album in Ultra High Definition, I was immediately proven wrong and absolutely blown away. This album is insanely well mastered and balanced. While this is the lowest tuned album, it is the absolute heaviest and raw album this band has ever put out. It is very politically charged, which I am not necessarily a fan of, but it reflects the state of the world in a very dark way and it is something not a lot of bands will do. I disagree that politics should have a place in music and media in general, because politics are personal, but whatever fuels creativity can’t be all that bad as long as it is done tastefully and respectfully. I am vastly impressed with the blending of genres, “Djenty” guitar goodness while keeping beautiful and clear vocals, it is something I never expected to hear. And ultimately, the genre bending works very well for them. While it is far from being my favorite album from them, it has some fantastic moments. “Don’t Pray For Me” is just a fantastically well written track with interesting layers of vocals and booming guitars. The slow buildup of vocal power is brilliant. The title track is one of my favorite songs of the year and dumbfounded me with how heavy it is. I never would’ve guessed Within Temptation would go this heavy. It is a new sound for them, as if Resist was taken to the absolute extreme and found Progressive Metalcore. They pull off this sound and sometimes simplistic song structure, because Sharon Den Adel’s vocals continue to dominate 90% of anything else that is out there and in any genre. You simply cannot find a more well-rounded versatile vocalist that can make anything sound special. “Bleed Out” is absolutely worth a listen, because while it is short, it’ll definitely stick in your head for weeks after.

Rating 7/10

Production: 8/10

Vocals: 10/10

Lyrics: 10/10

Composition: 7/10

Technicality; 7.5/10