heavy metal

Temperance Hermitage: Daruma’s Eyes Hermitage Part 2 Review 2023

/ metalvalkyrie2014 / Leave a comment

Release date 10/20/2023

A band I have been listening to for a decade is back in 2023 with half a new lineup and new sound that has utterly stunned me. With the departure of two key components of the band in early 2023, I thought Temperance were doomed. This Italian Symphonic Power Metal outfit that has been a dark horse for too long has pulled through the trials and reinvented themselves with the most powerful lineup I’ve heard in a long time. I am a huge Power Metal fan, and no stranger to the majority of the new characters in the band, and I can say this record will bring them to the top of the game. Original founder and bassist Luca Negro has leveled up with clinical powerful drummer Marco Sacchetto and the smooth vocals of Michele Guaitoli since 2018 (Visions of Atlantis) and guitarist and epic vocalist Marco Pastorino (Serenity). Though, the newest member was a complete surprise to me. Kristin Starkey, an American Professional Opera and Metal dual vocalist has redefined the female vocal role of the band. Her vocals have brought a smokey darkness and smooth contralto vocals with staggering Power Metal screams. Based upon the singles, I knew this might be my album of the year. Temperance has delivered amazing music over the years, but Daruma’s Eyes PT 2 is just exalted beyond all expectations. I am a sucker for concept albums, and this storytelling delight delivers. It is also narrated and features chuggy punching rhythm guitars by the Dutch Wizard of Prog, Arjen Lucassen of Ayreon and Star One.

Daruma’s Eyes PT 2 is a massive wall of sound with melodies swirling through and emotively telling the story. I’m honestly in disbelief of how much they have tastefully crammed into one record. Each vocalist plays a different part, but comes together perfectly and expertly. Daruma opener is an assault of range and operatic vocals the band is known for delivering, but this is just explosive on a whole other level. On slow song, In “Search of Gold”, the range of these vocalists really shines and delivers emotionally profound music. “Welcome to Hermitage” contains many vocalists with Celtic and glaringly high vocalist Fabienne Erni (Eluveitie, Illumishade) and Laura Fella of Faun who brings elvish smooth vocals and a classic folk sound. Fabienne fits the explosive talent so well and brings another octave of vocals that balances everything out so well. The ladies of Switzerland also feature on Join Me, which is just a beautiful melodic track with heavy instrumentation. Epic track after track continues with No Return, Into the Void, and Darkness is Just a Drawing. No Return brings a sea-shanty sing along beat that is excellently catchy and just solid group vocals on the choruses. “Where We Belong” is a piano, vocal, string ballad that has a Meatloaf Rock Opera sound of tear-jerk nature, and it’s simply brilliant. The orchestration on this record is flawless, expertly highlighting each theme of every track and easy on the ears providing melody and a epic vibe throughout. The attention to detail on this record is virtuoso quality. I just can’t find anything wrong with it. I put Power Metal under high scrutiny, and Daruma PT 2 is at the highest level you can go in the genre.

Daruma PT 2 album is one of those Power Metal albums that make you want to get up off your ass and get you working out or just achieving your goals. Temperance have always been about empowerment and self fulfillment, but following Viktor’s journey is a whole other level of beauty and awestruck emotion. I don’t want to spoil too much about the story for those who ordered the book, but it’s incredibly well done. This record is absolutely clinical from start to finish. Each instrument reflects that Italian Classical refinement and the talent is truly unbelievable. I think their sound has bloomed overall into something huge and incomparably. I think the addition of Starkey is a huge attribute to what makes this record a new cornerstone in Power Metal. Her gorgeous tone, her perfect delivery, and style is so unique and stand out through the entire album. I’m hard pressed to find a vocalist at this level and caliber of raw talent. She has brought this band new life and profoundness that it has so long deserved. She works so well with Michel and Marco, every singer really compliments each other and there’s not a single gap or weakness. 2023 is not over, but this is a huge contender for album of the year for me. I seriously cannot wait to see this band continue with Kristin and Marco, because if they continue on like this, Temperance will no longer be a dark horse and become legendary to the likes of Unleash the Archers, Nightwish, and Helloween.

Rating 10/10

https://www.temperanceband.com/

https://temperanceofficial.bigcartel.com/

https://www.instagram.com/temperanceofficial

Crypta Shades of Sorrow 2023 Review

/ metalvalkyrie2014 / Leave a comment
Crypta Full Band 2023

Brazillian Death Metal band Crypta has been a hot topic of 2023 with their unbelievably good festival sets and playthroughs for the new album “Shades of Sorrow”. Crypta is a happy accident, formed by two ex members of famed Nervosa, Fernanda Lira (bass, vocals) and bombastic drummer Luana Dametto. The two parted from Nervosa due to creative differences, and I think it was ultimately for the best. Fernanda really deserved more creative license, and she has proved it in their new album tenfold. As you may know, I am not a Death Metal or Thrash Metal fan, so I normally steer clear of anything that combines the two. However, Crypta goes beyond the ideologies of elitism and have forged their own deeper, darker, more interesting sound that really converted me to be a fan. I am late to the party on reviewing it, because at first, I had no idea where to start. This is way out of my wheelhouse music-wise and I didn’t think there would be a point to me reviewing it, but the lack of coverage of this album has absolutely stunned me. I have not seen this album get half the recognition it deserves, Whether it is Elitism, Sexism, our just bad promotion, this album has fallen in the background in Metal press.

“Shades of Sorrow” is my pick for most surprising album of the year. This album is absolutely fantastic, maybe one of the greatest of the Death Thrash genre in years. Crypta have insane technicality and unique progression in their flavor of this genre. The depth of talent knows no bounds in each member, and they come together and blend different influences to create something truly like nothing else on the planet. The depth of their music and darkness throws me back to Death’s Chuck Shuldiner, which is one of the highest compliments you can receive in Death Metal. The sinking darkness, the despair, the overall ambience to this record just envelopes you entirely. When you listen to it, you can’t think about anything else, and that is a great thing. “Shades of Sorrow” is catharsis at the ultimate heaviest and aggressive level. It is laden with aggression and reflection, completely anger personified. This album will get you up and arm you with mauls of thorns. There’s nothing hooky, cheesy, or over produced about this album. It is a true Death Metal record with riffs and vocals that will sink into you for months. It is chest-pounding and addictive song after song.

“The Other Side of Anger” is just absolutely fantastic and searing. Luana is at the top of her game with blast beats, groove, and ride rhythms for days that highlight every single note on the guitar. Her aggression and rhythmic savvy remind me of a young Gene Hoglan. This is clinical Death Metal drumming with just the best snare sound on “Trial of Traitors”. Luana kills it on this album and might be my drummer of the year. Fernanda is a powerhouse of ranged growls and screams with diction and clarity. It’s somehow catchy, without too much repetitiveness. It’s Progressive, but Thrashy. It encompasses so many influences and new sounds I have never heard before, even almost a tribal rhythm on some tracks. It is truly hard to explain the depth of this record. But, to get a scope of it, the track “Stronghold” is sure to blow you away. This track is one of the best to come this year, in my opinion. It is just a bull through a crowd of people that pummels and wrecks everything in its wake. You have to listen to this song, even if this music isn’t your thing.

Another aspect of the album I massively appreciate is the guitar solos. For a while now, guitar solos are few and far between in Modern Metal, but good god these guitarists have brought solos back to Thrash. They are blistering tapping melodic solos that sound so sinister. The guitars capture the mood so well and blend with the vocals expertly. They’re clean but not processed. This is just raw blistering talent that I rarely ever hear in this genre. Taina and Jessica play so well off of each other, intertwining solos and melodic lines of dual guitars that hit you right in the gut. They play fast, but you can hear every single note in the chord. It’s as if everyone in the band has been playing together for twenty years. No amount of production can create that level of audible chemistry.

“Shades of Sorrow” is a 10/10 album for me, and I don’t typically love this kind of music, but I LOVE this record and everything about it. This band is immensely talented and you’re truly not going to believe how good they are live. This album deserves way more credit than it has received and I hope overtime people will find the brilliance of Crypta.

Shades of Sorrow by Crypta 2023

https://www.instagram.com/cryptadeath/

https://www.cryptaofficial.com/

Within Temptation “Bleed Out” Review 2023

/ metalvalkyrie2014 / Leave a comment

My most anticipated release of the year has finally graced my inbox: Bleed Out by Dutch Modern Symphonic Metal band Within Temptation is here after four years since the trailblazing “Resist”, and it is here to ravage you audibly. Some background for those not familiar with Symphonic Metal or this band has somehow evaded their Youtube feeds: Within Temptation is a Dutch Symphonic Metal band with Gothic and Pagan themes forming in 1996 with couple Sharon Den Adel and Robert Westerholt. This band is a mainstay of the genre with repeated hit albums and bombastic melodic singles. They weave complex orchestrals with Operatic vocals and Pop hooks with staggering emotion and deep lyrics. WT has a song for everyone from classics like “Mother Earth”, “Faster”, “Angels”, and “Paradise (What About Us) featuring Tarja”. They’re one of the most successful Symphonic Metal bands of all time. They have several Platinum selling records and continue to sell out big arenas such as Wembley Stadium. This band has nothing to prove to anyone, but continue to shape shift and surprise. They are uncompromising. They are incomparable. “Bleed Out” is a perfect follow up to the modernization of “Resist”. Regardless of numerous lineup and sound changes, this band is a cornerstone of Modern Metal and I find it a travesty how often they are overlooked.

When I first heard the singles from “Bleed Out”, I was severely underwhelmed and disappointed with the recording quality. The guitars were incredibly muddy and over compressed. The singles had promise, but were overshadowed with modern overproduction, a common problem with Metal albums these days. But, upon first listen of the whole album in Ultra High Definition, I was immediately proven wrong and absolutely blown away. This album is insanely well mastered and balanced. While this is the lowest tuned album, it is the absolute heaviest and raw album this band has ever put out. It is very politically charged, which I am not necessarily a fan of, but it reflects the state of the world in a very dark way and it is something not a lot of bands will do. I disagree that politics should have a place in music and media in general, because politics are personal, but whatever fuels creativity can’t be all that bad as long as it is done tastefully and respectfully. I am vastly impressed with the blending of genres, “Djenty” guitar goodness while keeping beautiful and clear vocals, it is something I never expected to hear. And ultimately, the genre bending works very well for them. While it is far from being my favorite album from them, it has some fantastic moments. “Don’t Pray For Me” is just a fantastically well written track with interesting layers of vocals and booming guitars. The slow buildup of vocal power is brilliant. The title track is one of my favorite songs of the year and dumbfounded me with how heavy it is. I never would’ve guessed Within Temptation would go this heavy. It is a new sound for them, as if Resist was taken to the absolute extreme and found Progressive Metalcore. They pull off this sound and sometimes simplistic song structure, because Sharon Den Adel’s vocals continue to dominate 90% of anything else that is out there and in any genre. You simply cannot find a more well-rounded versatile vocalist that can make anything sound special. “Bleed Out” is absolutely worth a listen, because while it is short, it’ll definitely stick in your head for weeks after.

Rating 7/10

Production: 8/10

Vocals: 10/10

Lyrics: 10/10

Composition: 7/10

Technicality; 7.5/10

https://www.within-temptation.com/

Power Metal Isn’t Cheesy, The Riffs Are Just Better Than Yours

/ metalvalkyrie2014 / Leave a comment

Mad With Power Fest Badge Cress

One huge problem I have had with the Metal community for the past fifteen years is the disparagement against Power Metal and the wonderful people behind this immensely talented genre. I keep seeing the haters referring Power Metal as “cheesy”, “lame”, “boring”, and “derivative”, which couldn’t be further from the truth. It’s one thing to dislike certain sounds or a vocalist’s tone, but undermining an entire genre is sacrilegious and immature. Metal is supposed to be about community, acceptance, and rebelling against any kind of authority. In a society where everything divides us, Metal can unite us. Letting one basement dweller alter your view of a sub-genre that goes back four decades is the equivalent of letting some snobby reviewer keep you from watching the new Star Trek. You’re only giving into suggestion, instead of educating yourself and forming your own opinions. There is a niche Power Metal band for everyone, and my mission is to promote these bands until they get the credit in the community that they deserve.

The Power Metal genre is attributed to Ronnie James Dio and his brilliantly written fantasy lyrics and the whole new universe with Rainbow and solo projects. To disparage Power Metal is ignorant because Dio is a founding father of Metal. He invented the symbol of “the Horn” and united us all with emotive and powerful lyrics that would charge tens of thousands into battle. This world of Fantasy combined with the screams, fast music, and dual guitars of Judas Priest promoted Power Metal. Manowar brought this whole new universe of Metal to America in 1980 when they were inspired by Canadian act Thor. The New Wave of British Heavy Metal also inspired Power Metallers like Accept, Blind Guardian, and the almighty Helloween Power Metal IS original Metal along with Black Sabbath. And, the new wave of Power Metal hasn’t fallen far from the original tree that Dio planted so long ago. Whether you like it or not, Power Metal is quintessential to all Metal. To disparage it is to discount Dio’s influence on Metal, which would get you your ass kicked in any mosh pit in the world.

Power Metal has come back with a vengeance and more talent than ever with bands like Battle Beast, Beast In Black, Lords of the Trident, Seven Kingdoms, and the band who inspired this article, Unleash the Archers. These bands have worked tooth and nail to give this genre and an awakening too prove it is the best genre of Metal. It is a place where media distractions and inspiration meet to create an all inviting community. This unity is ever present at North American festivals like Mad With Power, curated by “nice Metal bud” Ty Christian of Lords of the Trident, and the hugely successful Prog Power in Atlanta. These festivals are huge meet ups for the all accepting “nerds” of Power Metal. Unleash the Archers, one of the most successful and highly regarded bands of the genre, have created and inspired this absolutely incredible community of nerds who wish to return Metal to the forefront. Brittney Slayes, who is considered a Dio successor, has created an entirely new fantasy world inspired by Star Trek, Lord of the Rings, Game of Thrones, Star Wars, and Mad Max. She is an eloquent direct writer, has nearly a four octave range, and embraces where Metal and nerdom/geekdom meet. Her brothers in arms, Andrew Kingsley on Guitar, Grant Truesdell on guitar, Nick Miller on Bass, and husband and drummer Scott Buchanan have created a unique blend of Power Metal, Prog, Death Metal, and Neo Classicism that has stunned audiences all over the world. There is a magic quality to this band that mirrors Iron Maiden, especially in a live setting, and their brother bands are no different. Unleash the Archers is unarguably one of the best bands of the century and the company they keep mirrors this brilliance and exalts the talent within the genre.

Unleash the Archers at Mad With Power, Photo by Kyle Finlan Photography
Unleash the Archers at Mad With Power 2023. Photo by Kyle Finlan Photography

Watching Mad With Power, which Unleash the Archers headlined for their first show in nearly two years, on stream this year reminded me of the scope and the importance of Power Metal. These bands are the best talents you can ever see live. The music is brave, technical, emotional, and provides an escape from a difficult time in society. Powerglove brought the nerdom to life as well as newer Symphonic Power Metal outfit Shield of Wings. They debuted a cover of “The Final Battle” from Elden Ring that stunned the video gamers in the crowd. Bostonian Death/Prog/Power Pirates Seven Spires absolutely dominated the first night bringing Neo Classicism and utterly devastating riffs. You just have to experience this band live to understand the unending talent. The second night, Floridian Power Metal band Seven Kingdoms took the stage and brought a work horse speed metal vibe with singer Sabrina Cruz belting into the rafters. The speed of this band is unbelievable. They are undoubtedly one of my top five live bands and just the nicest most inspirational people you will ever meet. Lords of the Trident come humble but completely destroy the stage with song after song emotive Neo Classicism that screams of Yngwie and Van Halen. Headliners Unleash the Archers, I mean I’ve already exalted and honestly drooled over this band, but their set at MWP Fest this year was truly something to behold. I can’t believe the talent we have in North America, and UTA is the finest example of that talent. If you have never heard or seen this band, go see them live, and I promise you will leave with your jaw dropped, tears in your eyes, a smile, and a sore neck.

NWONMB New Wave of Nice Metal Buds Patch Lords of the Trident


Mad With Power is built around Ty Christian’s ideology, “New Wave of Nice Metal Buds” of trying to build an all accepting community. It’s where everyone can like Metal, Games, Fantasy, Sci-Fi, 80’s Music, and Synthwave all in one amazing festival and all the bands inspire each other to be authentic. Being a part of this community myself has utterly changed my dingy view of American Metal and an all too hateful society. I found like minded people who want to keep echoes from the past alive. This is why Power Metal is so pertinent to the Metal Community, it provides an absolute escape from daily stresses and trials and brings people together while keeping the music to the highest standard. This festival is the event of the year. If you like Power Metal, you cannot miss this festival. Ty Christian and friends have created the best festival in North America but also brought a new family style feel to Metal that we have needed all along. Mad With Power proves we are in the second wave of Power Metal, and it gives me hope that people will once again return to original Metal and honor where it came from.

Whether you like it or not Power Metal has the best riffs, the best solos, the best vocal lines, the best screams, the best lyrical content, the best fans, and the best merchandise. This genre combines everything that made us love Metal in the 80s and the media that has combined new fan groups. There is nothing cheesy or derivative about inspired music and immense musical proficiency. There are infinite possibilities and you are bound to like something in this vast technical prowess filled genre. So, here’s 20 essential Power Metal Bands you must hear. Maybe these awesome picks will expand some feeble minds and cast out the ignorance to this supreme genre.

This list is not in any order of best or age, it’s merely a sampler playlist you can use to check out some of the GOATS in Power Metal

20.

19.

18.

17.

16.

15.

14.

13.

12.

11.

10.

9.

8.

7.

6.

5.

4.

3.

2.

1.

Tales From The North- Bloodbound Review 2023

/ metalvalkyrie2014 / Leave a comment

Released July 7th AFM Records

Swedish Power Metallers, Bloodbound have cemented themselves in the realm of Classic Power Metal exhibiting heavy riffs, huge hooks, and powerful vocals. This band holds steadfast out to prove Power Metal is not dead, and I am a firm believer in this notion. Power Metal is the single handed most under rated sub genre in the Rock and Metal word; It’s almost criminal how talented these bands are, and yet they are overlooked constantly. Power Metal is considered cheesy and repetitive to stubborn elitists, but the genre shield walls and prevails with albums like Tales of The North.

Tales of The North is a Viking Folk inspired Power Metal album that infuses speedy riffs that would make Amon Amarth proud. This album piles up on double bass, melodic leads, and catchy hooks that remind me of classic Gamma Ray and Helloween. The vocals from Patrik Selleby are cleanly sublime with a soothing pitch and perfectly clear diction. This album is bound to stick in your head and fuel you to battle that 5:00 rush hour traffic. It sends you back in time, but keeps with the modern Power Metal sound. From drinking songs, to pillaging songs, to tributes to Odin this album holds true to the Viking theme without being pretentious or cheesy. Odin’s Prayer is a perfect track for those big arena or festival shows, along with sing along songs like Drink With The Gods and The Raven’s Cry. Tales of The North is and was set out to be a classic Heavy Metal brought to Modern Power Metal and refined for a full listening experience, and they’ve achieved an epic album. Is this the Power Metal album of the year? Time will tell.

Rating: 8/10

Tales From The North track listing:
01. Tales From The North
 02. Drink with the Gods
 03. Odin´s Prayer
 04. The Raven´s Cry
 05. Mimir`s Crystal Eye
 06. Between The Enemy Lines
 07. Land Of Heroes
 08. Sail Among The Dead
 09. Stake My Claims
 10.Sword And Axe
 11. 1066



BLOODBOUND is:
Tomas Olsson – lead guitar
Fredrik Bergh – keyboards
Patrik Selleby – vocals
Henrik Olsson – rhythm guitar
Anders Broman – bass
Daniel Hansfeldt – drums

For More Info Visit:
www.bloodbound.se
www.facebook.com/bloodboundmetal
www.instagram.com/bloodbound_official
www.afm-records.de

The Surprising New Album By Saturnus

/ metalvalkyrie2014 / Leave a comment

Danish Death Doom band, Saturnus, has done something incredible this year.  They have put out an album that has left me speechless, which is a feat since I never shut up about music.  My reviews have been sparse lately, as I think reviews are becoming more and more trivial.  This is not a formal review, but a write-up to honor one of the year’s best albums.  I don’t listen to a lot of Death-Doom, but Saturnus is one of my exceptions.  I decided to write about this band and album as I don’t see many posts about them and I have no clue as to why they don’t have more listeners.  

Saturnus began in Copenhagen as Asesino in 1991 by vocalist Thomas A.G. Jensen and bassist, Brian Hansen as a typical Black Metal band.  In 1993, their sound changed and their name became Saturnus to match their switch to Gothic Doom Metal with a Melodeath twist.  This sound has been marinating with classic albums like Veronika Decides to Die and Saturn in Ascension.  Their records have solidified their sound and made them incredibly underrated in the Death Doom genre which has exploded with hundreds of new bands since Paradise Lost blazed a new trail.  Now, we have bands like Saturnus mixing old Death Metal, Doom, and Melodeath like Insomnium creating a whole new sound.  They have come a long way since 1991, 32 years ago, believe it or not, and their latest short but epic record, The Storm Within, is a testament to their growth and building legacy. 

The Storm Within is a fifty-nine-minute journey through the human condition or psyche.  It is a provocative, emotional, and daring feat that is all-consuming.  Those fifty-nine minutes will either seem to last mere minutes or a lifetime.  It is not just an album, but a Doom movement.  I say this because of the reflective breakdowns of spoken word, emotive, piano, and gorgeous melodic guitar lines right before crushing guttural growls.  It is poetry in Doom.  The title track opens and sets the entire mood, but you never know what to expect next.  You can settle into it as a mood, but the music can throw you off and surprise you in an instant.  It builds, crashes, and plummets into the depth of despair, and then lifts you into a higher consciousness.  It changes but effortlessly flows together.  This is the exact sound that any new and upcoming Death Doom band should strive for.  

Truth is the final track of the album, marking the end of the journey, but showing more growth than ever.  Whoever played the piano on this record is simply genial.  It fits Death Doom perfectly while sounding so classical on Truth.  There is something very Draconian about this track and the acoustics building into this guttural chest-rattling growl with arpeggios on keys is a shocking moment in music I may never forget.  I don’t know much about this band and their influences or history, but this song tells me everything I need to know about how brilliant they are.  

If you listen to this record all the way through, you will come out of it a changed person.  Genres be damned, this album is perfection.  I love everything they did with it.  I love the departures and the classic Saturnus sounds.  I love the drum sounds, they remind me of Summoning’s folk style with massive reverb.  I love the different influences, almost some Bardcore in there which is unexpected.  I love the guttural aspects and distortion but the refinement of it.  It is a Death Doom record that is a must-hear this year.  

For fans of Paradise Lost, Agalloch, Insomnium, and Swallow the Sun.

Home

#NewmusicFriday 3/31/23

/ metalvalkyrie2014 / Leave a comment

I was on vacation last week and didn’t have time to update the blog. My family and I went to Las Cruces, New Mexico for a week off. It was a much needed break filled with nature and relaxation. Before that, I attended Eluveitie, Omnium Gatherum, and Seven Spires in Denver. I planned to write up a review on it, but honestly words fail to describe how musically perfect, emotional, and spiritual that show was. Eluveitie now stands as the best band I have ever seen live. They were note perfect, despite missing three members (Chrigel, Nicole, and Kay). So for now, here’s new music you must hear this week.

Scar Symmetry

https://www.youtube.com/watch?v=H9yi6jDmezc

Ad Infinitum Album Release, Chapter III- Downfall

https://www.youtube.com/watch?v=3onA_XzUu8k

Listen and order to the new album here: https://lnk.to/ChapterIIIDownfall

New bombastic song from Power Metal legends BLOODBOUND

https://www.youtube.com/watch?v=d6kZKuIezAg

Frozen Crown Single from Call of the North

https://www.youtube.com/watch?v=WqNVklVPj4A

Order or listen to the full album here https://bfan.link/call-of-the-north-4NEW Lyrre Album (Solo project from ex Eluveitie member Michalina Malisz)

https://www.youtube.com/watch?v=HMoQc5pa6OI Order from the USA: https://ancestore.eu/en_US/c/Merchandise/48/1/full

Thrash Power Band Burning Witches is back!

https://www.youtube.com/watch?v=0mA3koz5alQ

Deathcore legends After The Burial bring amazing guitarwork

https://www.youtube.com/watch?v=f9GUUqDFfBM

Death Thrashers Sworn Amongst Return!

https://www.youtube.com/watch?v=dNm_rWY-fqk

#NewMusicFriday 3/3/23

/ metalvalkyrie2014 / Leave a comment

This year has already brought us so great much music, I can hardly keep up with it all.. Below is most of the awesome releases that dropped for new music Friday! Have a merry metal weekend!

Omnium Gatherum

Haken- New Album Fauna

New Elvenking

Unearth

Cradle of Filth

This is the best COF song I’ve heard in 10 years.

This is absolutely brutal

Extreme and Nuno are back!

New Deathstars, Finally!

Foregone by In Flames Review

/ metalvalkyrie2014 / Leave a comment

I am a huge fan of all bands Melodeath; From Dark Tranquility, In Mourning, Arch Enemy, Omnium Gatherum, and all bands alike, I cannot get enough of this dichotomy of music. The chugging guitars, brutal screams, blast beats, all broken up by melodic singing and beautiful guitars just hit me soul deep. It took seeing In Flames live in 2019 to fully understand their impact on this growing genre. I had never listened to them, assuming they were hard on my ears like At The Gates, but seeing them live absolutely blew all my expectations away. This band is anything but hard on the ears. This band is a masterclass in Melodeath composition. Recently, the band has taken the more Melodic elements as well as sick riffs and made them even more catchy. The criticism of the band “changing their sound” has been a hot topic since album “Sirens” and has ultimately but stupidly hurt the band’s credibility in the world of Melodeath. For me, new In Flames is more than just them trying to get more radio play or new fans, it is a testament to the band’s resilience and ingenuity. They took this quintessential sound and brought to to modernity and kept it absolutely mature, heavy, and absolutely unique.

In Flames has blended their old Thrashy sound with new and fresh Melodeath luster and turned it into an absolute masterpiece with 2023 release “Foregone”. This is a youthful yet profound venture for the band, not compromising quality for emotional depth. Anders Friden repeatedly shows his range and depth on songs like “Pure Light of Mind”, “Meet Your Maker” and both parts of the title track. This man took a vocal blowout and completely reinvented himself into one of the greatest dual voice front men of all time. This album is a complete testament to this band’s tenacity to not give up or give into the defeating aspects of the music business. While there’s so many new qualities, they manage to throw us back to old In Flames with searing tracks like “The Great Deceiver” and “State of Slow Decay”. They flawlessly blend old influences of Hardcore Punk and Thrash with modern Melodeath dual track guitars. It is an all encompassing sound that works so well in an arena setting. They’ve always been a heavy band you can sing along to, but every song on this album seems to stick with me. “In The Dark” is a perfect example of heavy ear worms on this record. Lyrically, this album is one of the most profound since “Clayman”. Riff wise, this may be the most full album they’ve ever put out. Bjorn and legendary Chris Broderick are relentless on Foregone. Tanner Wayne is an absolute beast on drums, holding everything together even when it seems so chaotic. The chemistry of this band is what makes this album musically perfect. Plus, the bass solos on Cynosure are deliciously interesting and tastefully done, making it impossible not to headbang. Every beat, every note, every bend is so synchronized that it feels computer generated without being over produced. “Foregone” is another new age Melodeath hit and deserves every positive recognition it can get.

Rating: 10 out of 10

New Album by Demons Down Review

/ metalvalkyrie2014 / Leave a comment

Newly signed to Frontiers Records, Hard Rock band Demons Down is bringing back old 1980’s hooks and Arena sized reverb with brand new album “I Stand” (out March 10th). Frontiers Records strives to bring back the catchiness and epic sounds of 1980s Hard Rock and Metal one band at a time. Demons Down is a sign that this wide stereo sound is here to stay forever. Fronted by Chilean born multi faceted vocalist, James Robledo, the band has planted into its roots with Iron Maiden, Queensryche, and Quiet Riot. He has the vibrato of Bruce, the heavy and aggressiveness of Kevin Dubrow, and the clean soars of Jeff Scott Soto. The band has its influences coming from former Quiet Riot bassist, Chuck Wright, who was partially responsible for Bang Your Head in the 1980s. This band maybe new, but their chemistry is ancient history.

“I Stand” sounds like its right of the 1980s and early 1990s with uncompromising heavy metal themes made to pump you up. It is simplistic yet massive in sound. The solos, vocals, bass guitar, and ringing rhythms fill up the space without playing musical masturbation. As far as Debut Albums go, Demons Down has made an enormous statement of who they are and what they plan to accomplish with their music. Songs like I Stand, Disappear, and Follow Me come in hot and hard with Arena sound that is making its way back to popularity. This album is very Melodic, which is not what I expected. I would’ve liked some more crunch in the guitars and some bigger drum fills to break up that nostalgia and stay modern. If you’re looking for grit or chuggy guitars, this album is not for you. But, if you want straight up Hard Rock to sing along to, these guys really deliver. I am interested to see what their live performances bring and what they do with follow up albums.

Rating  6 out of 10

Composition: 8

Mixing: 9

Lyrics: 7

Technicality: 4