My Top Albums and Singles of 2023

2023 was in my opinion, one of the greatest years for Metal and music in general. The innovations in the genre were overflowing this year. All the true quality releases make it one of the most difficult years to rank and categorize the best of the best. I have revised this article and list so many times, I’ve lost count. It seems I am discovering a new band, song, and album that defies all my musical expectations everyday and it truly astounds me. So, I picked my favorites. It’s not a popularity contest or based on the songs that live rent free in my head, it’s just my favorite albums based upon my perception of quality and innovation. I based my decisions upon personal preference, but also just sheer quality of composition and aspects that made the record stand out from your typical Metal albums. This list could really be in multiple orders, but I just put my favorites in the succession I feel reflected my listening habits the most. Let’s face it, it is impossible to put all of the best albums of 2023 in order by quality or ingenuity. There’s simply too many excellent albums.

What albums did you love this year? Which ones did I leave out or miss entirely? Comment below and let me know.

My Top Albums 2023

  1. Hermitage: Daruma’s Eyes Part 2- Temperance

This should come as no surprise that this album is ranked number one for me, as I predicted in my review. Temperance came back with an ingenious concept album and one of the most musically talented lineups I have heard since Epica. It’s a Symphonic Power Metal Opera for the ages. It overshadowed anything Ayreon or Star One have done for almost a decade, in my opinion. Marco Pastorino and crew made a once in a lifetime bombastic and moving record with impossibly good vocals. It is innovative as it uses so much Classical elements with huge wall-of-sound production and an eclectic mix of vocalists that come together to absolutely blow your mind. It sounds futuristic, but mirrors the production quality of Hard Rock and Prog albums from the 1980’s. It is a stunning record that I don’t think will be topped anytime soon.

2. Fearless In Love- Voyager

Voyager are one of my top 20 bands of all time, and this record is indicative of why they always deserve a top spot. This album does something for me that few albums do; it occupies the same space in my brain as Devin Townsend. Fearless In Love is an emotional journey through modern times and is a riff-heavy progressive romp if I’ve ever heard one. It’s as if Devin Townsend and Tears For Fears collaborated on a star ship. This album doesn’t sound like any other album, yet it mirrors Townsend’s genius riffing on Accelerated Evolution so eloquently. This is undoubtedly my favorite guitar record of the year, but also contains juicy bass lines and sing along emotive choruses. Fearless In Love is truly the most uplifting album of 2023 and one of the best guitar performances of all time.

3. Blue Blood- Phantom Elite

Blue Blood was a complete surprise to me. I knew of Phantom and the excellent Marina La Torraca, but their releases never impacted me until this absolutely aggressive record. It is everything I love about Spiritbox and Jinjer, but with a softer side. It’s a Djent/Prog Industrial album with Symphony Metal overtones and beautiful vocals. It’s an album with massive range and variety, no two songs sound the same. It’s fresh and modern without being contrived. The riffs are punchy and enigmatic, always changing and layering on top of loud bombastic drums and crunchy bass lines. Blue Blood is catchy, chaotic, emotive, and groove oriented. It deserves so much more recognition for utter quality. I never expected this band to hit my top ten, but this record is undeniably fantastic.

4. Beyond the Black- Self Titled

When I thought about my favorite records of the year, this is the first one that actually came to my mind. It’s an album I continue to go back to, despite it being a little more radio friendly than what I usually love. There’s just an exquisite mix of genres and influences on this album. It’s Arena Rock with immense emotion and chuggy heavy riffs. Jennifer Haben is one of the most underrated vocalists who fits into any genre or rhythmic pocket. She has an innate tone that is rarely heard in modern music. Kai Hansen is also one of my favorite drummers of late. His performance on this record ties everything together and holds it all in a heavy package. It’s high production quality without being bubblegum or robotic. Beyond the Black created something reflective of Covid times without being too dark or too in your face and it is truly cathartic to listen to. It has profound meaning underneath catchy hooks and huge arena sounds, something modern Rock typically lacks nowadays. This is a truly special record that will surprise you in depth of content and diamond quality.

5. The Wonders Still Awaiting- Xandria

The Wonders Still Awaiting was originally second on this list, but the year squeaked out even more gems and made it difficult for me to order this list any other way. I am an avid Symphonic Metal listener, admittedly less and less as of the last Epica release. Xandria came back in 2023 with a new lineup that dominated my year in music. The addition of Ambre Vourvahis has reignited this band to the glorious torch it once carried. She is the only vocalist on this list to give me actual chills and goosebumps. Marco Heubaum continues to write moving and enchanting music atop heavy riffs and new growling vocals that set him apart from other Symphonic Metal bands. This album is extremely moving throughput and wonderfully thought-provoking. It greatly foreshadows other releases in the genre of the past five years. I will always hold a higher standard to Xandria than Nightwish, and this gorgeous album proves the reasons why.

6. Anno 1696- Insomnium

I am not the biggest Insomnium fan, but subjectively this is a flawless Melodeath record. This Finnish Melodeath band is known for creating utterly devastatingly heavy albums, emotionally and instrumentally. Anno 1696 is no deviation from their usual greatness, but it definitely hearkens to an 90’s Death Metal sound that creates a unique blend on top of a great story.  It is poetry in brutality. The addition of Jani Liimatainen has reignited the band and added a new voice. It’s as though lead vocalist and bassist Niilo Sevanen is the narrator, and Jani is another inner voice of the characters. I’ve never heard another album like it, yet you know it’s Insomnium right away. There is a unique blend of Folk music and Melodeath on this album as well that was new and very interesting. Insomnium refuse to be formulaic and continue to push the envelope of genres. 2023 was all about genre breaking and blending, which is why this album was so successful. 

7. Heimdal- Enslaved

Another unexpected gem of 2023 for me. I had never truly given Enslaved a listen, and I realized the err of my ways very quickly when Heimdal came out. This album is a pinnacle of 2023’s genre blending. It mixes 70’s Prog and modern Death Metal in a Viking setting. It’s far from the cheesy formulaic Viking Metal people have grown tired of. Heimdal is an existential journey through the Great Norse worlds and audibly envelopes you in a strange ethereal aura. The synths and organ give it a primordial feel and is not something I ever expected to hear in Death Metal, but is Enslaved’s special brand that really sets them apart for me. The production quality is pure without being too clean for extreme music. It’s perfectly balanced and flows smoothly like a linear story line. It is such a welcome change from overproduced music with no edge or nostalgia.

8. Nemesis AD- Serenity

Serenity is unfortunately an underdog of Symphonic Metal despite continuously putting out quality records. Nemesis AD is a testament to the ultimate strength of this band in bombastic thematic riffs and smooth powerful vocals from Georg Neuhauser and of course the incomparable Marco Pastorino. This album is profoundly beautiful, riff heavy, and catchy with great hooks. It sits somewhere between Sonata Arctica and Therion. To me, it feels more Power Metal than Symphonic without being contrived or another band just influenced by Nightwish. This is a history lesson of inspiration and self empowerment without being cheesy. Serenity set themselves apart from the rest with this record and made something truly special that I will continue to listen to for years to come.

9. Shades of Sorrow- Crypta

Thrash Metal and Death Thrash are not my cup of tea or area of expertise at all. It’s not that I dislike the darker heavier side of Metal. I listen to brutal bands like Archspire, Lorna Shore, Emperor, Triptykon, Draconian, and Cattle Decapitation. Thrash Metal has never spoken to me, however, and lacks a certain refined technicality I need in my music. So, I came to this new Crypta expecting it to be boring to me. Boy was I wrong… Shades of Sorrow is technical perfection in brutality and darkness. This album crushes your senses and spirit in all the best ways. Crypta is a powerhouse of four women with the essence of Thrash and Death and Melodeath in one technically sound package. They are one of the best bands I have heard in a long time. Their chemistry is tangible, led by drummer Luana Damatto holding down the heavy rhythmic section with Gene Hoglan-like groove and precision. If I had to give individual music awards out, Luana would undoubtedly be my drummer of the year winner. Shades of Sorrow is better than I expected and is truly one of the best Thrash records I have ever heard in my life. The fact that its four women delivering one of the heaviest albums of the year just makes me unbelievably proud and happy to be alive. They are terribly underrated and this album deserves to be on every top ten list.

10. This Heathen Land- Green Lung

Where in the heck did Green Lung come from? They went from being a band I’d never heard of to one of the bands dominating every top ten list of 2023. It’s shocking how well received this album is by the heaviest listeners in the Metal Community. The riffs on This Heathen Land are too perfect to resist, however. This album mixes Folk Rock, Black Sabbath, and Ghost like catchiness to create solid Stoner Metal rooted in Pagan epics. This sounds like it could be put out in the 1970s with the heavy organ sound and creepy high pitched vocals. It’s heavy, ethereal, and anthemic all in a smoothly delivered package (That’s what she said). This Heathen Land by Green Lung is far from an album I expected to be on my top ten, but it is just so damn solid I can’t think of any album that deserves this spot more. All of you elitists that hate on Ghost are absolute hypocrites if you’re jamming this album since in came out, and I hope that realization hits you like a truck. This is one of the most listenable albums on this list and is quite addictive. Once you start listening to Green Lung, you won’t be able to stop.

Honorable Mentions:

Terrasite- Cattle Decapitation

Time Will Take Us All- Entheos

Bleed Out- Within Temptation

Riverside- ID Entity

Fauna- Haken

Avenged Sevenfold- Life Is But A Dream…

Tales From The North- Bloodbound

Dark Waters- Delain

My Top Singles of the Year

  1. Darkness is Just a Drawing- Temperance
  2. Broken Orbit- In Mourning
  3. Reflections of AD- Serenity
  4. Inner Beast- Phantom Elite
  5. Free Me- Beyond The Black
  6. Ultraviolet- Voyager
  7. Never Dawn- Lacuna Coil
  8. Lilian- Insomnium
  9. Jaded- Spiritbox
  10. Native Colossus Live at Mad With Power- Shield of Wings

Honorable Mention Singles

As the Flower Withers- Elysion

One More Flag in the Ground- Kamelot

Two Worlds- Xandria

Basterd Von Asgard ft Fabienne Erni- Feuerschwanz

More- The Warning

Hey Brother- Dartagnan

Maxine- Green Lung

Beneath- Delain

This playlist features 20 of my favorite songs of 2023

Click play or watch on Youtube to see the full list on the sidebar

That’s all for now!

VOTE For Your Favorite Album of 2023!

2023 has been a new Renaissance of music with new innovations and genre bending iconoclasts. I have been speechless one album after another this year. It’s been one of the best years for me for new releases that I absolutely love, and I know a lot of people are feeling the same way. I have my favorites and will definitely do a list later this month as the discovery of new music is ongoing.

BUT first, I want to hear from my fellow metal fans and connoisseurs of music! What do you think is the best album of 2023? Vote below or comment! I will do a separate review of the winner and post your responses! Just follow the link, no sign in required!

VOTE HERE: https://forms.office.com/r/jpWACrEyS7?origin=lprLink

Melodeath Juggernauts Hiraes Announce New Album

HIRAES (feat. Former Members of Dawn of Disease & Critical Mess) Strike Back with Sophomore Melodic Death Metal Assault

New Album, Dormant, out January 26, 2024 via Napalm Records
Pre-Order HERE

Watch the Music Video for First Single, “Through The Storm”, HERE

photo by Lisa Ulferts
German-based melodic death metal formation HIRAES – featuring former members of Dawn of Disease and Critical Mess – will furiously kick off the new year with the release of their sophomore studio album, entitled Dormant, due out January 26, 2024 via Napalm Records!

Wasting no time, HIRAES have just unveiled the first single from Dormant – thunderous album opener “Through The Storm”. The track offers a glimpse into the variety of elements on the album, including powerful and varied drumming, poignant and melancholic melodies, infectious choruses, and breathtaking soundscapes – all complimented by Britta’s versatile vocals. 
 The band comments about the track and video:
“In a way, the video is a continuation of our first single, ‘Under Fire’, from the last album. It’s dedicated to a storm and its indomitable energy. Experience this debut single and join us as we navigate ‘Through The Storm’ together!“

The band adds: 
“We are far beyond proud to present our second album Dormant to you! The album will grab you with its intensity from the first second on and won’t let you go. We invested a lot of energy, dedication and passion to create this monumental and melancholic piece of melodic death metal. Having played countless shows over the last two years, Dormant captures the energy of HIRAES’ live performances and places the songs right between heart and gut. 

Once again, none other than the talented staff of Fascination Street Studios under the direction of Jens Bogren are responsible for the refinement of our sound. We are so much looking forward to unleashing Dormant upon all those metalheads out there!“
Watch the official video for “Through The Storm” HERE:

Compared to their lauded 2021 debut, Solitary, it’s immediately evident that HIRAES did not only grow within their sound due to countless live appearances, but have invested more time and energy into developing their sophisticated songwriting and production, leaning further into their own unique sound profile. Due to the use of varying keys and sonic elements, Dormant is undoubtedly fresh without sacrificing the nuances that caused their first album to connect so successfully with fans. With their very first offering, HIRAES already created an exciting new melodic death metal emergence, built upon a brutalized vocal attack, intense melodies and aggressive guitars. On Dormant, HIRAES  flexes their own trademarks in an intensified way, ranging from versatile drumming, catchy riffs and hymn-like melodies to enthralling soundscapes and the impressive vocal onslaught of singer Britta Görtz. Dormant is a stirring, intense and dynamic death metal affair that is both heavily brutal and dark, yet full of melodic melancholy. 

Pre-Order Dormant HERE!

Dormant track listing:
1. Through The Storm
2. We Owe No One
3. Undercurrent
4. Chance To Fail
5. About Lies
6. Come Alive
7. Ocean Child
8. Nightflight
9. Red Soil
10. Dormant

Set to be released on January 26, 2024,  Dormant will be available in the following formats:

– 1 CD Digisleeve (6page)
– 1 LP Gatefold solid royal blue
– Digital Album
HIRAES are:
Britta Görtz – vocals
Lukas Kerk – guitars
Oliver Kirchner – guitars
Christian Wösten – bass
Mathias Blässe – drums

HIRAES online:
Website
Facebook
TikTok
Instagram
Napalm Records

Canadian Melodic Metallers Lutharo Announce New Album and Release New Single

LUTHARO Announces New Album Chasing Euphoria, Releases New Single
Watch “Time To Rise” HERE
Melodic metal outfit LUTHARO returns with a cacophony of all that is metal! The Canadian metallers bring forth their signature mixture of traditional heavy metal, melodic death metal, thrash metal and more on their latest effort, Chasing Euphoria, the follow-up to their critically lauded debut full-length Hiraeth. Due out March 15th 2024 via Atomic Fire Records, Chasing Euphoria is as destructive and violent as it is soaring and captivating. Pre-orders are available HERE. 

Today the band has also shared a new single and video for “Time To Rise.” The video is an intimate look inside behind the scenes at the band’s practice and rehearsal. 

The band elaborates on the album: “We are beyond excited to finally announce our second full length album “Chasing Euphoria” will be released on March 15th 2024! This album is very near and dear to our hearts as it has brought out the most emotion in us to date! We laughed, we cried and we put everything we have into this album. So when you listen to these songs, know you are taking a piece of us with you.”

And of the single, they share: “We are incredibly eager to finally introduce to the world our newest single “Time to Rise”. This one is a doozy. This song is not only one of the most emotional we’ve written but has pushed us FAR out of our comfort zone in so many ways. This song has endless layers to it but its most dominant subject matter is inner child trauma and how it affects us in adult life especially when it isn’t resolved or acknowledged. We hope that through this song our listeners can begin a learning journey just as we have through this writing process. To anybody reading this remember to give yourself some grace, you and the younger version of you deserve it.”

Chasing Euphoria features dynamic production from Lasse Lammert of LSD Studios (ALESTORM, GLORYHAMMER, WIND ROSE, SVARTSOT & more!) and striking cover art from Niklas Sundin (ARCH ENEMY, DARK TRANQUILLITY, DELAIN, & more!), with orchestral arrangements from Elliot Vernon (ALESTORM).

ABOUT LUTHARO: Formed in 2014, LUTHARO strive to sculpt an epic sound that sees aspects of power and death colliding, combining artfully crafted melodies, harmonies and precision with hard-hitting power and force. Members Krista Shipperbottom (vocals), Victor Bucur (guitar), John Raposo (guitar), Chris Pacey (Bass) and Cory Hofing (drums) may have found their groove on this new record, but don’t expect them to fall into a rut. LUTHARO opens the throttle all the way and barrels forward into new territories.
 
After releasing two EPs, LUTHARO pulled out all the stops on Hiraeth, the debut full-length album that was released on October 15th, 2021. Following their 2018 debut EP UNLEASH THE BEAST, and 2020 EP WINGS OF AGONY, Hiraeth saw the quintet push their compositional and performance skills further than ever before. What Hiraeth brought forth, Chasing Euphoria now amplifies. Expertly balancing hauntingly beautiful atmospheres with raw power and aggression. A fantastically epic journey that needs to be experienced to be believed.
 
Recorded by drummer Cory Hofing at Coho Studio, with additional recording by Thomas Ireland and mixing and mastering by Lasse Lammert of LSD Studio, Chasing Euphoria is out March 15th, 2024, via Atomic Fire Records. The band partnered with Niklas Sundin for the stunning artwork featured on the cover. 
 
Prepare your necks for a maelstrom of windmills as Chasing Euphoria is certain to provoke headbanging, boisterous pits and chanting singalongs. An aggressive touring schedule will give you plenty of opportunity to join them for an electrifying evening as the riffs and raucous beats pummel you. 
 
Shipperbottom’s earth-shaking vocal performance is impossible to ignore, from her thorny growls to soaring falsettos. – Metal Injection
 
…The Canadians’ self-released debut album is a primarily traditional metal record with bags of melody, shitloads of muscular power and large amounts of virtuoso musicianship….Bridging the gap between ancient and modern with admirable skill, LUTHARO have dropped one of this year’s most vital debuts. – Blabbermouth
 
Gatling gun riffage glues the listener to the wall, practically challenging you not to get out of your seat and bang that head, while huge melodies soar and dive in and out of that furious wall of noise. – Metal Observer

Chasing Euphoria Tracklist: 

  1. Gates of Enchantment    
  2. Reaper’s Call    
  3. Ruthless Bloodline    
  4. Time to Rise    
  5. Born to Ride    
  6. Bonded to the Blade    
  7. Chasing Euphoria    
  8. Creating a King    
  9. Strong Enough to Fall    
  10. Paradise or Parasite    
  11. Freedom of the Night
Lutharo Is:
Krista Shipperbottom – Vocals
Victor Bucur – Guitars, backing vocals
Chris Pacey – Bass
Cory Hofing – Drums
Jeff Wilson – Guitar (Live)

Connect with Lutharo HERE or at one of the links below:
Bandcamp: https://lutharoband.bandcamp.com/album/hiraeth
Website: https://www.lutharo.com/
Facebook: https://www.facebook.com/LutharoOfficial
Instagram: https://www.instagram.com/lutharo_official/
Twitter: https://twitter.com/Lutharoband
Spotify: https://open.spotify.com/artist/38RQwSDbSq8ztizimX2vYp
Youtube: https://www.youtube.com/@LutharoOfficial
Tiktok: https://www.tiktok.com/@lutharo_official

#NewMusicFriday 11/10/13!

Back with new music Friday on the blog! Here are my top ten picks of the day/week you might’ve missed. It’s short and sweet, which is rare for me as I can be quite the windbag on here.

What are you listening to today?

Favorite album and singles post of the year coming soon! Stay tuned and don’t forget to sign up for updates below this post.

Plini, atmospheric Metal guitarist, and legendary Animals as Leaders’ Tosin Abasi shred it out
German Symphonic Melodic heavyweights Beyond the Black release new live video
Italian Power Metal legends Secret Sphere are back with brand new speedy single.
German 90’s band HELMET return with new album and single
Ex-Three Days Grace singer Adam Gontier and Skillet’s John Cooper groove on this catchy modern rock guitar heavy track.
A new discovery for me in the realm of Progressive Metalcore. Kinda like ERRA, Volumes, and Periphery. Great lyrics and drums as well as super technical guitars.
Portland Metalcore band Dying Wish drops heavy new ballad single. BIG surprise to me how good this is. This is the kind of music I wanted fifteen years ago.
Legendary German Power Metallers are back after 11 years with edgy Neoclassicism, and you guessed it, DRAGONS
Italian Melodic Metal powerhouses return with gorgeous power ballad that will undoubtedly make a big impact on listeners
Canadian Juno Award winning band debuts new intense speed single with a horror theme

Lord of The Lost Announces New Covers Album

[Photo Credit: Jan Season]

The very first covers album by Germany’s #1 charting LORD OF THE LOST – honoring favorites by Michael Jackson, Judas Priest, Billy Idol & more!

Exactly one year after the release of their game changing #1 charting album, Blood & Glitter (Official German Album Charts), LORD OF THE LOST are coming back with their first ever covers album, Weapons Of Mass Seduction. The new album is a collection of songs that have inspired the band to bend genres. This double album wraps up the busiest and most successful year in the band’s history so far. In addition to storming the charts with their latest studio album, being invited by the legendary Iron Maiden as special guest on their European tour (again!), numerous sold-out headline shows, and opening gigs for Powerwolf and Amon Amarth, the band represented Germany at the Eurovision Song Contest Finals in Liverpool in May of this year. LORD OF THE LOST made it clear once again that they do not limit themselves when it comes to genre norms and influences. They’re wacky and weird and don’t follow any rules when it comes to music.

Today, the band unveils the opening track of their upcoming offering, an electrifying cover of Billy Idol’s “Shock To The System”! The song arrives with a perfectly fitting music video, underlining its attitude the best possible way. It’s a great cover and I was honestly impressed with the vocals as Billy Idol is an incredible singer. I didn’t expect to like it as I haven’t like their latest releases… but this cover is really well done. I wish the guitars were more pronounced and heavier, but it’s a polished 80’s sound that fits with the original.

Chris Harms on “Shock To The System”:             
“I remember exactly when I heard this song for the first time. I was 13 years old, it was summer and I was sitting in the back of the Opel Manta convertible in which I drove to the open-air pool with my older sister and her boyfriend. Rarely has the energy of a single song gripped me so much. We’d like to give a little bit of that energy back with our tribute to Billy Idol and this song through our cover and accompanying video.”

While the album is entirely covers, Weapons Of Mass Seduction confirms LORD OF THE LOST’s creative ability to make even unexpected songs their own, and further confirms their status. The covers album comes in various different formats – some of them containing a second CD with 11 covers that are already released or have been played live. The deluxe boxset includes a third CD with 10 acoustic tracks, exclusively available in this format.

Weapons Of Mass Seduction Tracklist:
CD 1

  1. Shock To The System (Billy Idol Cover)
  2. Unstoppable (Sia Cover)
  3. Smalltown Boy (Bronski Beat Cover)
  4. Turbo Lover (Judas Priest Cover)
  5. Hymn (Ultravox Cover)
  6. Give In To Me (Michael Jackson Cover)
  7. River (Bishop Briggs Cover)
  8. Somewhere Only We Know (Keane Cover)
  9. (I Just) Died In Your Arms (feat. Anica Russo) (Cutting Crew Cover)
  10. High (Zella Day Cover)
  11. House On A Hill (The Pretty Reckless Cover)

CD 2

  1. The Look (feat. Blümchen) (Roxette Cover)
  2. Ordinary Town (Celebrate The Nun Cover)
  3. Cha Cha Cha (Käärijä Cover)
  4. Judas (Lady Gaga Cover)
  5. Children Of The Damned (Iron Maiden Cover)
  6. Wig In A Box (Hedwig and the Angry Inch Cover)
  7. Bad Romance (Lady Gaga Cover)
  8. The Most Radical Thing To Do (The Ark Cover)
  9. This Is The Life (Amy MacDonald Cover)
  10. It’s A Sin (Pet Shop Boys Cover)
  11. Ordinary World (Duran Duran Cover)

CD 3 – Ltd Deluxe Edition only

  1. Starman (David Bowie Cover)
  2. Girl, You’ll Be A Woman Soon (Neil Diamond Cover)
  3. The Days Of Pearly Spencer (David McWilliams Cover)
  4. Hey You (Pink Floyd Cover)
  5. I Had Too Much To Dream Last Night (The Electric Prunes Cover)
  6. Where Do You Go To My Lovely (Peter Sarstedt Cover)
  7. Turn! Turn! Turn! (To Everything There Is A Season) (The Byrds Cover)
  8. In The Year 2525 (Exordium & Terminus) (Zager & Evans Cover)
  9. All I Have To Do Is Dream (The Everly Brothers Cover)
  10. Perfect Day (Lou Reed Cover)

Weapons Of Mass Seduction will be available in the following formats:             

  • 3 CD Boxset, incl 2 CD 6 pages Digisleeve (Ltd Deluxe Edition) and CD 3 incl 10 acoustic songs, exclusively available in the Deluxe Box + pink Sweatband with black logo, sharped patch and sticker – Napalm Records Mailorder and LORDSHOP exclusive – strictly limited to 1000 copies worldwide
  • 2 LP RECYCLED COLOR Vinyl – Die Hard Edition incl Slipmat, record butler and 12 inch booklet – Napalm Records Mailorder exclusive – strictly limited to 300 copies worldwide
  • 2 LP RECYCLED COLOR Vinyl incl 12 inch booklet – LORDSHOP exclusive – strictly limited to 300 copies worldwide
  • 2LP Gatefold RECYCLED BLACK Vinyl
  • 2 CD 6 pages Digisleeve (Ltd Deluxe Edition), 12p booklet
  • 1 CD 6 pages Digisleeve, 12p booklet
  • Cassette (PINK w/ Black print) – Napalm Records Mailorder and LORDSHOP exclusive – strictly limited to 300 copies worldwide
  • Digital Album

Weapons Of Mass Seduction features a wide range of songs from different eras and genres performed in true LORD OF THE LOST style, all surprisingly fitting for the band and hence forming a cohesive collection of covers. Classic heavy metal track “Turbo Lover”, originally by Judas Priest, meets modern pop hits in songs such as Sia’s “Unstoppable”, Bishop Briggs’ “River” and Zella Day’s “High”. Ultravox’ “Hymn”, followed by Michael Jackson’s legendary “Give In To Me” and Keane’s “Somewhere Only We Know”, expand the multifaceted selection even further. With added rougher elements such as heavier vocals, Bronski Beat’s captivating 80s electro pop hit “Smalltown Boy” gets a dark makeover in the hands of LORD OF THE LOST. The unit’s cover of another legendary 80s song, “(I Just) Died In Your Arms“, features a guest appearance from rising singer-songwriter Anica Russo, who also took part in Germany’s ESC 2023 preliminary round Unser Lied für Liverpool (EN: Our Song for Liverpool). An emotional version of The Pretty Reckless’ “House On A Hill” closes Weapons Of Mass Seduction impactful.

A special 2CD edition of the new covers album provides a cross-cut of covers previously released or already covered live over the course of LORD OF THE LOST’s career. Among them are the Roxette cover “The Look” feat. Blümchen – already known from Blood & Glitter“Children Of The Damned”, a homage to Iron Maiden, with whom LORD OF THE LOST experienced intense times during the last two years, and the cover of the Finnish ESC song “Cha Cha Cha” by Käärijä – sung by Chris Harms completely in Finnish.
 

Get Your Copy of Weapons Of Mass Seduction NOW!

Modern Metal Band Infected Rain Announce New Album

INFECTED RAIN are:
Lena Scissorhands – Vocals    
Vidick – Guitar    
Alice Lane – Bass    
Eugeniu Voluta – Drums

Industrial Modern Metal Act Infected Rain are coming back with a new album in February 2024 with “TIME”. Insight to TIME offers a bombastic trip-hop Metal blended journey into the ever flowing sands of time. It’s going to be heavy, moody, and trippy. The Moldovian band want to bring new flavors in their follow-up to ECDYSIS (2022) and continue to evolve their sound with a new member, Alice Lane on Bass. The band’s most successful album yet will be undoubtedly difficult to follow up on, but Infected Rain has not let us down yet and I don’t suspect they ever will. They’re one of the most intensely heavy bands I have ever heard in my life. New single NEVER TO RETURN is a shoe-in for their usual ball busting material, but it has a new cerebral sound that is truly mesmerizing with Eastern instruments flirting with a low end rhythmic feel. It’s identifiable as Infected Rain, but certainly matured and evolved.

INFECTED RAIN says about TIME:
TIME is not just an album, it’s a journey, a testament to our evolution as INFECTED RAIN
Time isn’t just a measure; it’s an ever-flowing river, a constant reminder of our fleeting moments and enduring legacies. 
This subject resonates deeply throughout the record, offering to you a chance to reflect on the past, embrace the present, and dream of the future. 
With TIME, we invite you to experience the phenomena of time with us, in all its haunting beauty and raw power.”

INFECTED RAIN says about “NEVER TO RETURN”:

“‘NEVER TO RETURN’ is our deep dive into the unstoppable flow of time, reminiscent of the shifting sands in an ancient desert.
Like smoke that slips through fingers, moments pass us by, leaving behind traces of memories.
In this song, amidst the backdrop of the vast, timeless desert, we transform into ethereal creatures, exploring the mysteries of time. It’s a reflection on life’s journey, with all its fleeting moments, and a reminder that every second counts.”

TIME is out February 9th, 2024 via Napalm Records

Listen to NEVER TO RETURN now!

INFECTED RAIN are on tour in the USA right now, supporting the duke of spook himself, WEDNESDAY 13! See below for all remaining tour dates:
WEDNESDAY 13 w/ INFECTED RAIN, Gemini Syndrome and Black Satellite:
11/07/23: Lawrence, KS @ The Bottleneck
11/09/23: Minneapolis, MN @ Skyway Theater
11/10/23: Madison, WI @ The Annex
11/11/23: Joliet, IL @ The Forge
11/12/23: Bloomington, IL @ Castle Theater
11/14/23: Belvedere, IL @ Apollo Theatre
11/15/23: Flint, MI @ Machine Shop
11/16/23: Cleveland, OH @ The Foundry
11/17/23: Pittsburgh, PA @ Crafthouse
11/18/23: Lititz, PA @ Mickey’s Black Box
11/19/23: Clifton, NJ @ Dingbatz
11/22/23: Spartanburg, SC @ Ground Zero
11/24/23: Winston-Salem, NC @ Millenium Center
11/25/23: Richmond, VA @ Canal Club
11/26/23: Leesburg, VA @ Tally Ho
11/28/23: Atlanta, GA @ Masquerade
11/30/23: Knoxville, TN @ The Concourse
12/01/23: Louisville, KY @ Headliners Music Hall
12/02/23: Columbus, OH @ The King Of Clubs
12/03/23: Indianapolis, IN @ Hi Fi Annex
12/05/23: Des Moines, IA @ Lefty’s Live Music
12/06/23: Lincoln, NE @ Bourbon Theater
12/08/23: Denver, CO @ Oriental Theater
12/09/23: Colorado Springs, CO @ Black Sheep

The Fear of Fear Spiritbox Review

The Fear of Fear Spiritbox album 2023

Spiritbox are one of the most talked about bands of the 2020s with breakout hit “Holy Roller” dominating the charts and looping on the radio into a dizzily huge successful album “Eternal Blue”. Love them or hate them, this band is a force of nature in Progressive Metalcore. Guitarist/Composer/Produce Mike Stringer stands out in a crowd of copy/paste guitarists of the genre. To say he is brilliant would be a vast understatement. His counterpart and huge ranged powerhouse, Courtney LaPlante has also been a unique diamond in the rough of radio saturated Metalcore. She is one of my most favorite vocalists, and also the most surprising dichotomous voices. Her ability to switch voicings is rare, because you’re hard pressed to find anyone smoother and more emotive. Spiritbox is a brutal barreling train derailment of sound with a massive wall of sound, Mike occasionally maxing out the stored memory in Pro Tools. If you came to Spiritbox with Eternal Blue, you know the complexity and ginormous layers they can produce. But, don’t expect The Fear of Fear to be a follow-up to Eternal Blue… This band is set on busting expectations, genres, and complacency.

The Fear of Fear is a lyrical journey through battles with mental health, isolation, and dissociation. It is not like Eternal Blue as it doesn’t flow or necessarily fit together. There is no two tracks that sound alike, but it is reminiscent of very early Spiritbox demos and Singles. There are melodic tones that seem so familiar and imperative to the identity of Spiritbox, but very new and fresh. If you’re not familiar with pre-Eternal Blue singles, this may be a complete surprise to you. “Cellar Door” may be their heaviest track yet, an absolute sonic assault on the senses that hits you wave after wave. Courtney’s range on this is unbelievably low and sure to impress the most brutal of Death Metal fans. “Jaded” is a rhythmic complex track with catchy vocal and bass lines with a very Metalcore feel to it. It is so nice to hear bass in Progressive Metalcore again. “Too Close/ Too Late” is extremely atmospheric and haunting with basic structure and even pacing, a breath of fresh air after two pummeling tracks. “Angel Eyes” is such an interesting track that reminds me of the intensity of “The Beauty of Suffering” from the self titled. “Ultraviolet” is a electronic undertones, groovy drum back beats, and high pitched sweet vocals, and it is unlike anything the band has done before. “The Void” is one of my favorite tracks of the year with an extremely catchy chorus and difficult long held notes. They really used the whole band’s collective range on these six tracks and I feel like they challenged themselves as well as the fans’ ideas of the band.

The Fear of Fear is as if they went back to the beginning of the band, took what they liked from the Singles and Self Titled and remixed them fit their current mental state and then threw in new out-of-the-box ideas to reinvent themselves. It’s a pretty large contrast from Eternal Blue, which I like that they didn’t just recycle those feelings and sounds. I like the throwback to the original haunting sounds we got in the Self-Titled. People who didn’t like Eternal Blue but like Spiritbox are going to love this record. I love most of the tracks and it’ll definitely take more listens to take it all in. I think a couple tracks might be a little weak on their own and also don’t fit together, but there are standouts that you could repeat for days on end. The band certainly didn’t lose the addictive quality to their sound and have really rooted themselves in the aspects you expect; Atmosphere, layers, and airy vocals on top of brutality. Overall, it’s a great release and I think a very smart progression for them to draw in so many kinds of fans. I wish it was as long as Eternal Blue, so I had something to really sink in to. It feels like another Singles Collection rather than an album, but it definitely won’t get stale after many listens due to the variety of styles and familiar sounds. Spiritbox continue to surprise, amaze, and captivate me with every release, and this might be their most advantageous release yet.

Spiritbox group photo 2023

Links:

https://spiritbox.com/

Spiritbox are a Progressive Metalcore band from Victoria, BC, Canada formed in 2016

The band is:

Courtney LaPlante: Vocals

Mike Stringer: Producer, Guitarist, Programmer, Backing Vocals, Writer

Zev Rose: Drums

Josh Gilbert: Bass, Backing vocals

Serenity Nemesis AD Review 2023

Releases November 3rd via Napalm Records

Austrian Symphonic Metal band Serenity have been an underrated cornerstone of their genre for nearly two decades. They’ve crafted beautiful melodies, catchy battle tunes, bombastic rhythmic sections, and historical Metal and reached new heights with previous album “The Last Knight” which hit #25 on German album charts. I have loved every release since, but the expectations for this album are extremely high with the addition of Marco Pastorino of Temperance, Fallen Sanctuary, and his solo work, it seems like this guy is everywhere right now. Pastorino is known for elevating music to its maximum potential and Serenity working with him and Ancient Bards’ orchestral composer, Daniele Mazza, this album can’t be anything but incredible.

Nemesis AD is a history lesson once again, this time heavily focusing on Albrecht Durer, the great German Painter and Theologian. This topic seems to bring the most passion out of this band, as Nemesis AD is emotionally and musically profound throughout each track. Don’t let the soft choirs and chamber orchestration on opener “Memoriae Alberti Dureri” fool you, this album is huge in sound and heavy as ever. “The Fall of Man” features ex-Kamelot Tenor extraordinaire, Roy Khan, and the harmonies with the piercing voice of Georg Neuhauser is sure to send chills up your spine. A lot of songs stand out as well with “Ritter, Tod, and Teufel” based on the Durer painting, “Sun of Justice” which is fast and heart-pounding as well as catchy, and “The End of Babylon” which is a lyrical and chorus triumph. Overall, the album has a lot of gems and the usual Serenity feel and it’s a very good record, but one track stands out far above the rest for me. “Reflections (of AD)” is a masterpiece, maybe the greatest song the band has ever produced. This song is a grand, orchestral, and airy tribute to Durer and his legacy. This song is one of the most beautiful compositions I have ever heard, lyrically, emotionally, orchestral, and vocally. The ability to emote from Neuhauser and Pastorino is a diamond in today’s music. The grand level of emotions and yet so much space in the music does not appear in most modern music. This space occurs in the symphonic sound and the breakdown part that works so well with the video. This is a track that may stay with me the rest of my life and certainly the rest of the year.

Nemesis AD is a more melodious and symphonic album than past albums, but it has heavy guitars from Pastorino and Hermsdoerfer and excellent solos. It definitely strays from the path of being formulaic or too Pop sounding. It may not be their best overall album, but it will cater to the older Serenity fans as well as original Kamelot fans. If you’re not a fan of recent Kamelot offerings, Serenity could be a classic stand in. All the songs have a Khan era feel, especially “Nemesis”, which has some Eastern influence that adds a completely different feel and breaks up the soaring-Symphonic sound from being repetitive. The whole album is worth a listen all the way through and a couple of the tracks will stick in your head.

Rating 7/10 Overall, a good Symphonic Metal Album but lacked some power and awe factor that previous albums had. Reflections (of AD) is one of my tracks of the year, however, and is a modern classic of the genre.

Links:

Serenity 2023 by Matthias Schwaighofer
Photo by Matthias Schwaighofer

The Templars Are Back! Serenity Lives On

Serenity Small group photo 2023

One of my all time favorite bands is coming back in 2023 with more historical excellence and a new writer/guitarist/vocalist to round out this Power Metal band. Serenity is lesser known than its brother band Warkings, but still as bombastic and catchy. The band began in 2004 with Georg Neuhauser leading the charge and honestly they’ve had a rocky road for nearly two decades. There’s something about this band’s melodies and unique storytelling that just engraves in your heart, and now more than even with this new lineup. The talent in this band exceeds its previous renditions and the songwriting is as haunting as ever. Everything Marco Pastorino touches turns into something profoundly greater than gold. Based on the singles, this album is a fresh start for the band and may ignite the forge fires once again. Review coming in November! What do you think of the new singles?