Back with new music Friday on the blog! Here are my top ten picks of the day/week you might’ve missed. It’s short and sweet, which is rare for me as I can be quite the windbag on here.
What are you listening to today?
Favorite album and singles post of the year coming soon! Stay tuned and don’t forget to sign up for updates below this post.
INFECTED RAIN are:
Lena Scissorhands – Vocals
Vidick – Guitar
Alice Lane – Bass
Eugeniu Voluta – Drums
Industrial Modern Metal Act Infected Rain are coming back with a new album in February 2024 with “TIME”. Insight to TIME offers a bombastic trip-hop Metal blended journey into the ever flowing sands of time. It’s going to be heavy, moody, and trippy. The Moldovian band want to bring new flavors in their follow-up to ECDYSIS (2022) and continue to evolve their sound with a new member, Alice Lane on Bass. The band’s most successful album yet will be undoubtedly difficult to follow up on, but Infected Rain has not let us down yet and I don’t suspect they ever will. They’re one of the most intensely heavy bands I have ever heard in my life. New single NEVER TO RETURN is a shoe-in for their usual ball busting material, but it has a new cerebral sound that is truly mesmerizing with Eastern instruments flirting with a low end rhythmic feel. It’s identifiable as Infected Rain, but certainly matured and evolved.
INFECTED RAIN says about TIME:
“TIME is not just an album, it’s a journey, a testament to our evolution as INFECTED RAIN.
Time isn’t just a measure; it’s an ever-flowing river, a constant reminder of our fleeting moments and enduring legacies.
This subject resonates deeply throughout the record, offering to you a chance to reflect on the past, embrace the present, and dream of the future.
With TIME, we invite you to experience the phenomena of time with us, in all its haunting beauty and raw power.”
INFECTED RAIN says about “NEVER TO RETURN”:
“‘NEVER TO RETURN’ is our deep dive into the unstoppable flow of time, reminiscent of the shifting sands in an ancient desert.
Like smoke that slips through fingers, moments pass us by, leaving behind traces of memories.
In this song, amidst the backdrop of the vast, timeless desert, we transform into ethereal creatures, exploring the mysteries of time. It’s a reflection on life’s journey, with all its fleeting moments, and a reminder that every second counts.”
TIME is out February 9th, 2024 via Napalm Records
Listen to NEVER TO RETURN now!
INFECTED RAIN are on tour in the USA right now, supporting the duke of spook himself, WEDNESDAY 13! See below for all remaining tour dates:
WEDNESDAY 13 w/ INFECTED RAIN, Gemini Syndrome and Black Satellite:
11/07/23: Lawrence, KS @ The Bottleneck
11/09/23: Minneapolis, MN @ Skyway Theater
11/10/23: Madison, WI @ The Annex
11/11/23: Joliet, IL @ The Forge
11/12/23: Bloomington, IL @ Castle Theater
11/14/23: Belvedere, IL @ Apollo Theatre
11/15/23: Flint, MI @ Machine Shop
11/16/23: Cleveland, OH @ The Foundry
11/17/23: Pittsburgh, PA @ Crafthouse
11/18/23: Lititz, PA @ Mickey’s Black Box
11/19/23: Clifton, NJ @ Dingbatz
11/22/23: Spartanburg, SC @ Ground Zero
11/24/23: Winston-Salem, NC @ Millenium Center
11/25/23: Richmond, VA @ Canal Club
11/26/23: Leesburg, VA @ Tally Ho
11/28/23: Atlanta, GA @ Masquerade
11/30/23: Knoxville, TN @ The Concourse
12/01/23: Louisville, KY @ Headliners Music Hall
12/02/23: Columbus, OH @ The King Of Clubs
12/03/23: Indianapolis, IN @ Hi Fi Annex
12/05/23: Des Moines, IA @ Lefty’s Live Music
12/06/23: Lincoln, NE @ Bourbon Theater
12/08/23: Denver, CO @ Oriental Theater
12/09/23: Colorado Springs, CO @ Black Sheep
Spiritbox are one of the most talked about bands of the 2020s with breakout hit “Holy Roller” dominating the charts and looping on the radio into a dizzily huge successful album “Eternal Blue”. Love them or hate them, this band is a force of nature in Progressive Metalcore. Guitarist/Composer/Produce Mike Stringer stands out in a crowd of copy/paste guitarists of the genre. To say he is brilliant would be a vast understatement. His counterpart and huge ranged powerhouse, Courtney LaPlante has also been a unique diamond in the rough of radio saturated Metalcore. She is one of my most favorite vocalists, and also the most surprising dichotomous voices. Her ability to switch voicings is rare, because you’re hard pressed to find anyone smoother and more emotive. Spiritbox is a brutal barreling train derailment of sound with a massive wall of sound, Mike occasionally maxing out the stored memory in Pro Tools. If you came to Spiritbox with Eternal Blue, you know the complexity and ginormous layers they can produce. But, don’t expect The Fear of Fear to be a follow-up to Eternal Blue… This band is set on busting expectations, genres, and complacency.
The Fear of Fear is a lyrical journey through battles with mental health, isolation, and dissociation. It is not like Eternal Blue as it doesn’t flow or necessarily fit together. There is no two tracks that sound alike, but it is reminiscent of very early Spiritbox demos and Singles. There are melodic tones that seem so familiar and imperative to the identity of Spiritbox, but very new and fresh. If you’re not familiar with pre-Eternal Blue singles, this may be a complete surprise to you. “Cellar Door” may be their heaviest track yet, an absolute sonic assault on the senses that hits you wave after wave. Courtney’s range on this is unbelievably low and sure to impress the most brutal of Death Metal fans. “Jaded” is a rhythmic complex track with catchy vocal and bass lines with a very Metalcore feel to it. It is so nice to hear bass in Progressive Metalcore again. “Too Close/ Too Late” is extremely atmospheric and haunting with basic structure and even pacing, a breath of fresh air after two pummeling tracks. “Angel Eyes” is such an interesting track that reminds me of the intensity of “The Beauty of Suffering” from the self titled. “Ultraviolet” is a electronic undertones, groovy drum back beats, and high pitched sweet vocals, and it is unlike anything the band has done before. “The Void” is one of my favorite tracks of the year with an extremely catchy chorus and difficult long held notes. They really used the whole band’s collective range on these six tracks and I feel like they challenged themselves as well as the fans’ ideas of the band.
The Fear of Fear is as if they went back to the beginning of the band, took what they liked from the Singles and Self Titled and remixed them fit their current mental state and then threw in new out-of-the-box ideas to reinvent themselves. It’s a pretty large contrast from Eternal Blue, which I like that they didn’t just recycle those feelings and sounds. I like the throwback to the original haunting sounds we got in the Self-Titled. People who didn’t like Eternal Blue but like Spiritbox are going to love this record. I love most of the tracks and it’ll definitely take more listens to take it all in. I think a couple tracks might be a little weak on their own and also don’t fit together, but there are standouts that you could repeat for days on end. The band certainly didn’t lose the addictive quality to their sound and have really rooted themselves in the aspects you expect; Atmosphere, layers, and airy vocals on top of brutality. Overall, it’s a great release and I think a very smart progression for them to draw in so many kinds of fans. I wish it was as long as Eternal Blue, so I had something to really sink in to. It feels like another Singles Collection rather than an album, but it definitely won’t get stale after many listens due to the variety of styles and familiar sounds. Spiritbox continue to surprise, amaze, and captivate me with every release, and this might be their most advantageous release yet.
Links:
Spiritbox are a Progressive Metalcore band from Victoria, BC, Canada formed in 2016
The band is:
Courtney LaPlante: Vocals
Mike Stringer: Producer, Guitarist, Programmer, Backing Vocals, Writer
Zev Rose: Drums
Josh Gilbert: Bass, Backing vocals
Release date 10/20/2023
A band I have been listening to for a decade is back in 2023 with half a new lineup and new sound that has utterly stunned me. With the departure of two key components of the band in early 2023, I thought Temperance were doomed. This Italian Symphonic Power Metal outfit that has been a dark horse for too long has pulled through the trials and reinvented themselves with the most powerful lineup I’ve heard in a long time. I am a huge Power Metal fan, and no stranger to the majority of the new characters in the band, and I can say this record will bring them to the top of the game. Original founder and bassist Luca Negro has leveled up with clinical powerful drummer Marco Sacchetto and the smooth vocals of Michele Guaitoli since 2018 (Visions of Atlantis) and guitarist and epic vocalist Marco Pastorino (Serenity). Though, the newest member was a complete surprise to me. Kristin Starkey, an American Professional Opera and Metal dual vocalist has redefined the female vocal role of the band. Her vocals have brought a smokey darkness and smooth contralto vocals with staggering Power Metal screams. Based upon the singles, I knew this might be my album of the year. Temperance has delivered amazing music over the years, but Daruma’s Eyes PT 2 is just exalted beyond all expectations. I am a sucker for concept albums, and this storytelling delight delivers. It is also narrated and features chuggy punching rhythm guitars by the Dutch Wizard of Prog, Arjen Lucassen of Ayreon and Star One.
Daruma’s Eyes PT 2 is a massive wall of sound with melodies swirling through and emotively telling the story. I’m honestly in disbelief of how much they have tastefully crammed into one record. Each vocalist plays a different part, but comes together perfectly and expertly. Daruma opener is an assault of range and operatic vocals the band is known for delivering, but this is just explosive on a whole other level. On slow song, In “Search of Gold”, the range of these vocalists really shines and delivers emotionally profound music. “Welcome to Hermitage” contains many vocalists with Celtic and glaringly high vocalist Fabienne Erni (Eluveitie, Illumishade) and Laura Fella of Faun who brings elvish smooth vocals and a classic folk sound. Fabienne fits the explosive talent so well and brings another octave of vocals that balances everything out so well. The ladies of Switzerland also feature on Join Me, which is just a beautiful melodic track with heavy instrumentation. Epic track after track continues with No Return, Into the Void, and Darkness is Just a Drawing. No Return brings a sea-shanty sing along beat that is excellently catchy and just solid group vocals on the choruses. “Where We Belong” is a piano, vocal, string ballad that has a Meatloaf Rock Opera sound of tear-jerk nature, and it’s simply brilliant. The orchestration on this record is flawless, expertly highlighting each theme of every track and easy on the ears providing melody and a epic vibe throughout. The attention to detail on this record is virtuoso quality. I just can’t find anything wrong with it. I put Power Metal under high scrutiny, and Daruma PT 2 is at the highest level you can go in the genre.
Daruma PT 2 album is one of those Power Metal albums that make you want to get up off your ass and get you working out or just achieving your goals. Temperance have always been about empowerment and self fulfillment, but following Viktor’s journey is a whole other level of beauty and awestruck emotion. I don’t want to spoil too much about the story for those who ordered the book, but it’s incredibly well done. This record is absolutely clinical from start to finish. Each instrument reflects that Italian Classical refinement and the talent is truly unbelievable. I think their sound has bloomed overall into something huge and incomparably. I think the addition of Starkey is a huge attribute to what makes this record a new cornerstone in Power Metal. Her gorgeous tone, her perfect delivery, and style is so unique and stand out through the entire album. I’m hard pressed to find a vocalist at this level and caliber of raw talent. She has brought this band new life and profoundness that it has so long deserved. She works so well with Michel and Marco, every singer really compliments each other and there’s not a single gap or weakness. 2023 is not over, but this is a huge contender for album of the year for me. I seriously cannot wait to see this band continue with Kristin and Marco, because if they continue on like this, Temperance will no longer be a dark horse and become legendary to the likes of Unleash the Archers, Nightwish, and Helloween.
Rating 10/10
https://www.temperanceband.com/
Brazillian Death Metal band Crypta has been a hot topic of 2023 with their unbelievably good festival sets and playthroughs for the new album “Shades of Sorrow”. Crypta is a happy accident, formed by two ex members of famed Nervosa, Fernanda Lira (bass, vocals) and bombastic drummer Luana Dametto. The two parted from Nervosa due to creative differences, and I think it was ultimately for the best. Fernanda really deserved more creative license, and she has proved it in their new album tenfold. As you may know, I am not a Death Metal or Thrash Metal fan, so I normally steer clear of anything that combines the two. However, Crypta goes beyond the ideologies of elitism and have forged their own deeper, darker, more interesting sound that really converted me to be a fan. I am late to the party on reviewing it, because at first, I had no idea where to start. This is way out of my wheelhouse music-wise and I didn’t think there would be a point to me reviewing it, but the lack of coverage of this album has absolutely stunned me. I have not seen this album get half the recognition it deserves, Whether it is Elitism, Sexism, our just bad promotion, this album has fallen in the background in Metal press.
“Shades of Sorrow” is my pick for most surprising album of the year. This album is absolutely fantastic, maybe one of the greatest of the Death Thrash genre in years. Crypta have insane technicality and unique progression in their flavor of this genre. The depth of talent knows no bounds in each member, and they come together and blend different influences to create something truly like nothing else on the planet. The depth of their music and darkness throws me back to Death’s Chuck Shuldiner, which is one of the highest compliments you can receive in Death Metal. The sinking darkness, the despair, the overall ambience to this record just envelopes you entirely. When you listen to it, you can’t think about anything else, and that is a great thing. “Shades of Sorrow” is catharsis at the ultimate heaviest and aggressive level. It is laden with aggression and reflection, completely anger personified. This album will get you up and arm you with mauls of thorns. There’s nothing hooky, cheesy, or over produced about this album. It is a true Death Metal record with riffs and vocals that will sink into you for months. It is chest-pounding and addictive song after song.
“The Other Side of Anger” is just absolutely fantastic and searing. Luana is at the top of her game with blast beats, groove, and ride rhythms for days that highlight every single note on the guitar. Her aggression and rhythmic savvy remind me of a young Gene Hoglan. This is clinical Death Metal drumming with just the best snare sound on “Trial of Traitors”. Luana kills it on this album and might be my drummer of the year. Fernanda is a powerhouse of ranged growls and screams with diction and clarity. It’s somehow catchy, without too much repetitiveness. It’s Progressive, but Thrashy. It encompasses so many influences and new sounds I have never heard before, even almost a tribal rhythm on some tracks. It is truly hard to explain the depth of this record. But, to get a scope of it, the track “Stronghold” is sure to blow you away. This track is one of the best to come this year, in my opinion. It is just a bull through a crowd of people that pummels and wrecks everything in its wake. You have to listen to this song, even if this music isn’t your thing.
Another aspect of the album I massively appreciate is the guitar solos. For a while now, guitar solos are few and far between in Modern Metal, but good god these guitarists have brought solos back to Thrash. They are blistering tapping melodic solos that sound so sinister. The guitars capture the mood so well and blend with the vocals expertly. They’re clean but not processed. This is just raw blistering talent that I rarely ever hear in this genre. Taina and Jessica play so well off of each other, intertwining solos and melodic lines of dual guitars that hit you right in the gut. They play fast, but you can hear every single note in the chord. It’s as if everyone in the band has been playing together for twenty years. No amount of production can create that level of audible chemistry.
“Shades of Sorrow” is a 10/10 album for me, and I don’t typically love this kind of music, but I LOVE this record and everything about it. This band is immensely talented and you’re truly not going to believe how good they are live. This album deserves way more credit than it has received and I hope overtime people will find the brilliance of Crypta.
My most anticipated release of the year has finally graced my inbox: Bleed Out by Dutch Modern Symphonic Metal band Within Temptation is here after four years since the trailblazing “Resist”, and it is here to ravage you audibly. Some background for those not familiar with Symphonic Metal or this band has somehow evaded their Youtube feeds: Within Temptation is a Dutch Symphonic Metal band with Gothic and Pagan themes forming in 1996 with couple Sharon Den Adel and Robert Westerholt. This band is a mainstay of the genre with repeated hit albums and bombastic melodic singles. They weave complex orchestrals with Operatic vocals and Pop hooks with staggering emotion and deep lyrics. WT has a song for everyone from classics like “Mother Earth”, “Faster”, “Angels”, and “Paradise (What About Us) featuring Tarja”. They’re one of the most successful Symphonic Metal bands of all time. They have several Platinum selling records and continue to sell out big arenas such as Wembley Stadium. This band has nothing to prove to anyone, but continue to shape shift and surprise. They are uncompromising. They are incomparable. “Bleed Out” is a perfect follow up to the modernization of “Resist”. Regardless of numerous lineup and sound changes, this band is a cornerstone of Modern Metal and I find it a travesty how often they are overlooked.
When I first heard the singles from “Bleed Out”, I was severely underwhelmed and disappointed with the recording quality. The guitars were incredibly muddy and over compressed. The singles had promise, but were overshadowed with modern overproduction, a common problem with Metal albums these days. But, upon first listen of the whole album in Ultra High Definition, I was immediately proven wrong and absolutely blown away. This album is insanely well mastered and balanced. While this is the lowest tuned album, it is the absolute heaviest and raw album this band has ever put out. It is very politically charged, which I am not necessarily a fan of, but it reflects the state of the world in a very dark way and it is something not a lot of bands will do. I disagree that politics should have a place in music and media in general, because politics are personal, but whatever fuels creativity can’t be all that bad as long as it is done tastefully and respectfully. I am vastly impressed with the blending of genres, “Djenty” guitar goodness while keeping beautiful and clear vocals, it is something I never expected to hear. And ultimately, the genre bending works very well for them. While it is far from being my favorite album from them, it has some fantastic moments. “Don’t Pray For Me” is just a fantastically well written track with interesting layers of vocals and booming guitars. The slow buildup of vocal power is brilliant. The title track is one of my favorite songs of the year and dumbfounded me with how heavy it is. I never would’ve guessed Within Temptation would go this heavy. It is a new sound for them, as if Resist was taken to the absolute extreme and found Progressive Metalcore. They pull off this sound and sometimes simplistic song structure, because Sharon Den Adel’s vocals continue to dominate 90% of anything else that is out there and in any genre. You simply cannot find a more well-rounded versatile vocalist that can make anything sound special. “Bleed Out” is absolutely worth a listen, because while it is short, it’ll definitely stick in your head for weeks after.
Rating 7/10
Production: 8/10
Vocals: 10/10
Lyrics: 10/10
Composition: 7/10
Technicality; 7.5/10
One huge problem I have had with the Metal community for the past fifteen years is the disparagement against Power Metal and the wonderful people behind this immensely talented genre. I keep seeing the haters referring Power Metal as “cheesy”, “lame”, “boring”, and “derivative”, which couldn’t be further from the truth. It’s one thing to dislike certain sounds or a vocalist’s tone, but undermining an entire genre is sacrilegious and immature. Metal is supposed to be about community, acceptance, and rebelling against any kind of authority. In a society where everything divides us, Metal can unite us. Letting one basement dweller alter your view of a sub-genre that goes back four decades is the equivalent of letting some snobby reviewer keep you from watching the new Star Trek. You’re only giving into suggestion, instead of educating yourself and forming your own opinions. There is a niche Power Metal band for everyone, and my mission is to promote these bands until they get the credit in the community that they deserve.
The Power Metal genre is attributed to Ronnie James Dio and his brilliantly written fantasy lyrics and the whole new universe with Rainbow and solo projects. To disparage Power Metal is ignorant because Dio is a founding father of Metal. He invented the symbol of “the Horn” and united us all with emotive and powerful lyrics that would charge tens of thousands into battle. This world of Fantasy combined with the screams, fast music, and dual guitars of Judas Priest promoted Power Metal. Manowar brought this whole new universe of Metal to America in 1980 when they were inspired by Canadian act Thor. The New Wave of British Heavy Metal also inspired Power Metallers like Accept, Blind Guardian, and the almighty Helloween Power Metal IS original Metal along with Black Sabbath. And, the new wave of Power Metal hasn’t fallen far from the original tree that Dio planted so long ago. Whether you like it or not, Power Metal is quintessential to all Metal. To disparage it is to discount Dio’s influence on Metal, which would get you your ass kicked in any mosh pit in the world.
Power Metal has come back with a vengeance and more talent than ever with bands like Battle Beast, Beast In Black, Lords of the Trident, Seven Kingdoms, and the band who inspired this article, Unleash the Archers. These bands have worked tooth and nail to give this genre and an awakening too prove it is the best genre of Metal. It is a place where media distractions and inspiration meet to create an all inviting community. This unity is ever present at North American festivals like Mad With Power, curated by “nice Metal bud” Ty Christian of Lords of the Trident, and the hugely successful Prog Power in Atlanta. These festivals are huge meet ups for the all accepting “nerds” of Power Metal. Unleash the Archers, one of the most successful and highly regarded bands of the genre, have created and inspired this absolutely incredible community of nerds who wish to return Metal to the forefront. Brittney Slayes, who is considered a Dio successor, has created an entirely new fantasy world inspired by Star Trek, Lord of the Rings, Game of Thrones, Star Wars, and Mad Max. She is an eloquent direct writer, has nearly a four octave range, and embraces where Metal and nerdom/geekdom meet. Her brothers in arms, Andrew Kingsley on Guitar, Grant Truesdell on guitar, Nick Miller on Bass, and husband and drummer Scott Buchanan have created a unique blend of Power Metal, Prog, Death Metal, and Neo Classicism that has stunned audiences all over the world. There is a magic quality to this band that mirrors Iron Maiden, especially in a live setting, and their brother bands are no different. Unleash the Archers is unarguably one of the best bands of the century and the company they keep mirrors this brilliance and exalts the talent within the genre.
Watching Mad With Power, which Unleash the Archers headlined for their first show in nearly two years, on stream this year reminded me of the scope and the importance of Power Metal. These bands are the best talents you can ever see live. The music is brave, technical, emotional, and provides an escape from a difficult time in society. Powerglove brought the nerdom to life as well as newer Symphonic Power Metal outfit Shield of Wings. They debuted a cover of “The Final Battle” from Elden Ring that stunned the video gamers in the crowd. Bostonian Death/Prog/Power Pirates Seven Spires absolutely dominated the first night bringing Neo Classicism and utterly devastating riffs. You just have to experience this band live to understand the unending talent. The second night, Floridian Power Metal band Seven Kingdoms took the stage and brought a work horse speed metal vibe with singer Sabrina Cruz belting into the rafters. The speed of this band is unbelievable. They are undoubtedly one of my top five live bands and just the nicest most inspirational people you will ever meet. Lords of the Trident come humble but completely destroy the stage with song after song emotive Neo Classicism that screams of Yngwie and Van Halen. Headliners Unleash the Archers, I mean I’ve already exalted and honestly drooled over this band, but their set at MWP Fest this year was truly something to behold. I can’t believe the talent we have in North America, and UTA is the finest example of that talent. If you have never heard or seen this band, go see them live, and I promise you will leave with your jaw dropped, tears in your eyes, a smile, and a sore neck.
Mad With Power is built around Ty Christian’s ideology, “New Wave of Nice Metal Buds” of trying to build an all accepting community. It’s where everyone can like Metal, Games, Fantasy, Sci-Fi, 80’s Music, and Synthwave all in one amazing festival and all the bands inspire each other to be authentic. Being a part of this community myself has utterly changed my dingy view of American Metal and an all too hateful society. I found like minded people who want to keep echoes from the past alive. This is why Power Metal is so pertinent to the Metal Community, it provides an absolute escape from daily stresses and trials and brings people together while keeping the music to the highest standard. This festival is the event of the year. If you like Power Metal, you cannot miss this festival. Ty Christian and friends have created the best festival in North America but also brought a new family style feel to Metal that we have needed all along. Mad With Power proves we are in the second wave of Power Metal, and it gives me hope that people will once again return to original Metal and honor where it came from.
Whether you like it or not Power Metal has the best riffs, the best solos, the best vocal lines, the best screams, the best lyrical content, the best fans, and the best merchandise. This genre combines everything that made us love Metal in the 80s and the media that has combined new fan groups. There is nothing cheesy or derivative about inspired music and immense musical proficiency. There are infinite possibilities and you are bound to like something in this vast technical prowess filled genre. So, here’s 20 essential Power Metal Bands you must hear. Maybe these awesome picks will expand some feeble minds and cast out the ignorance to this supreme genre.
This list is not in any order of best or age, it’s merely a sampler playlist you can use to check out some of the GOATS in Power Metal
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Man, is it just me or are women in Metal absolutely dominating the vocal world right now? With bands like Spiritbox, Entheos, and Crypta all coming out and conjuring the most brutal music right now, it’s hard not to feel like we are in the New Renaissance of Music right now. I love foaming about female singers in Metal, so a couple of years ago I started making compilation videos of them hitting absolutely insane high notes. You can watch all three below from the links. But, I need help for the next episodes! Please send me videos containing super high notes hit by any singer in Metal LIVE and I will feature them!
Send me the videos or clips to Metalvalkyrie@yahoo.com or comment links below on this post!
Part One:
Part Two:
Part Three:
I was on vacation last week and didn’t have time to update the blog. My family and I went to Las Cruces, New Mexico for a week off. It was a much needed break filled with nature and relaxation. Before that, I attended Eluveitie, Omnium Gatherum, and Seven Spires in Denver. I planned to write up a review on it, but honestly words fail to describe how musically perfect, emotional, and spiritual that show was. Eluveitie now stands as the best band I have ever seen live. They were note perfect, despite missing three members (Chrigel, Nicole, and Kay). So for now, here’s new music you must hear this week.
Scar Symmetry
Ad Infinitum Album Release, Chapter III- Downfall
Listen and order to the new album here: https://lnk.to/ChapterIIIDownfall
New bombastic song from Power Metal legends BLOODBOUND
Frozen Crown Single from Call of the North
Order or listen to the full album here https://bfan.link/call-of-the-north-4NEW Lyrre Album (Solo project from ex Eluveitie member Michalina Malisz)
Thrash Power Band Burning Witches is back!
Deathcore legends After The Burial bring amazing guitarwork
Death Thrashers Sworn Amongst Return!
Here are all the announced guests on the upcoming Epica collaboration album! I am pleasantly surprised by the familiar faces and know this will be an absolutely incredible record. According to lead singer Simone Simons, the album is expected to be released this December. This concept is a complete surprise to me, because it’s a very modern approach. It seems to be a more mainstream venture from the band, just based on the guests and new song performed on the 20th Anniversary show with singer and Saxophonist, Jørgen Munkeby from Shining. I listed all the guests in the captions on the photos. Below is a comprehensive list with songs so you can see what each guest sounds like!
– Tommy Karevik
– Fleshgod Apocalypse
– Frank Schiphorst
– Roel van Helden
– Asim Searah
– Phil Lanzon
– Henri Sattler
– Sven de Caluwé
Metal Valkyrie 