Danish Death Doom band, Saturnus, has done something incredible this year.  They have put out an album that has left me speechless, which is a feat since I never shut up about music.  My reviews have been sparse lately, as I think reviews are becoming more and more trivial.  This is not a formal review, but a write-up to honor one of the year’s best albums.  I don’t listen to a lot of Death-Doom, but Saturnus is one of my exceptions.  I decided to write about this band and album as I don’t see many posts about them and I have no clue as to why they don’t have more listeners.  

Saturnus began in Copenhagen as Asesino in 1991 by vocalist Thomas A.G. Jensen and bassist, Brian Hansen as a typical Black Metal band.  In 1993, their sound changed and their name became Saturnus to match their switch to Gothic Doom Metal with a Melodeath twist.  This sound has been marinating with classic albums like Veronika Decides to Die and Saturn in Ascension.  Their records have solidified their sound and made them incredibly underrated in the Death Doom genre which has exploded with hundreds of new bands since Paradise Lost blazed a new trail.  Now, we have bands like Saturnus mixing old Death Metal, Doom, and Melodeath like Insomnium creating a whole new sound.  They have come a long way since 1991, 32 years ago, believe it or not, and their latest short but epic record, The Storm Within, is a testament to their growth and building legacy. 

The Storm Within is a fifty-nine-minute journey through the human condition or psyche.  It is a provocative, emotional, and daring feat that is all-consuming.  Those fifty-nine minutes will either seem to last mere minutes or a lifetime.  It is not just an album, but a Doom movement.  I say this because of the reflective breakdowns of spoken word, emotive, piano, and gorgeous melodic guitar lines right before crushing guttural growls.  It is poetry in Doom.  The title track opens and sets the entire mood, but you never know what to expect next.  You can settle into it as a mood, but the music can throw you off and surprise you in an instant.  It builds, crashes, and plummets into the depth of despair, and then lifts you into a higher consciousness.  It changes but effortlessly flows together.  This is the exact sound that any new and upcoming Death Doom band should strive for.  

Truth is the final track of the album, marking the end of the journey, but showing more growth than ever.  Whoever played the piano on this record is simply genial.  It fits Death Doom perfectly while sounding so classical on Truth.  There is something very Draconian about this track and the acoustics building into this guttural chest-rattling growl with arpeggios on keys is a shocking moment in music I may never forget.  I don’t know much about this band and their influences or history, but this song tells me everything I need to know about how brilliant they are.  

If you listen to this record all the way through, you will come out of it a changed person.  Genres be damned, this album is perfection.  I love everything they did with it.  I love the departures and the classic Saturnus sounds.  I love the drum sounds, they remind me of Summoning’s folk style with massive reverb.  I love the different influences, almost some Bardcore in there which is unexpected.  I love the guttural aspects and distortion but the refinement of it.  It is a Death Doom record that is a must-hear this year.  

For fans of Paradise Lost, Agalloch, Insomnium, and Swallow the Sun.

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